Reading releases, one by one…
Finding the profile. The first time takes a while — after that it opens instantly.
Reading releases, one by one…
Finding the profile. The first time takes a while — after that it opens instantly.
What your shows should pay, which setlists are still reportable, and where to send them.
The promoter pays the local society a share of ticket sales; it reaches the writers of the songs played — only if the setlist is reported.
Pre-filled from public credits — often too low; use your real splits.
1999-07-24 · Plaza de la Trinidad, San Sebastian · 100% of the set is your own songs
estimated tickets and price — edit if you know them8.5% of box office after VAT (2025 tariff book).
After 14% deduction — SGAE's deduction for pop concerts (Variedades, 2025).
Report the setlist: not published — report right after the show. Where to report ↗
1996-07-04 · Cité de la Musique, Paris · 100% of the set is your own songs
estimated tickets and price — edit if you know them11% of ticket takings, 8.8% when declared in advance (2021–23 general tariff) (latest public tariff; may have changed).
SACEM does not publish its live deduction, so it is not subtracted.
Report the setlist: programme accepted up to 6 months after the show. Where to report ↗
1990-11-03 · Berliner Philharmonie, Berlin · 100% of the set is your own songs
estimated tickets and price — edit if you know themTarif U-K: 5.75% up to 2,000 visitors, 7.60% up to 15,000, 8.00% above (net of VAT and booking fees).
After 14.9% deduction — GEMA's overall cost rate (2024).
Report the setlist: until 31 March of the following year. Where to report ↗
1971-06-15 · Casino de Montreux, Montreux · 67% of the set is your own songs
estimated tickets and price — edit if you know themGT K 2025–29: 8.5% for small concerts, 9.5% for major concerts, excluding VAT and ticket tax.
After 25% deduction — 15% administration + 7.5% welfare + 2.5% culture (SUISA's worked example).
Report the setlist: as soon as possible (no deadline published). Where to report ↗
Your part includes your publisher's share if you have one.
United States: ASCAP's venue rate depends on capacity tiers and BMI has no concert rate in force since February 2026 — report here ↗
Netherlands: Buma's rate falls from 7% to 2.5% with takings and repertoire share — report here ↗
Belgium: SABAM's rate falls from 8% to 3% in cumulative brackets — report here ↗
Promoters pay a share of ticket sales to the local society, which pays the writers of the songs on the reported setlist. Each society only accepts setlists for a limited time.
Setlists from setlist.fm (fan-sourced, can be incomplete). Events from Ticketmaster. Add tickets and prices in the calculator above to see what each show should pay.