Not found
Reading releases, one by one…
Finding the profile. The first time takes a while — after that it opens instantly.
Reading releases, one by one…
Finding the profile. The first time takes a while — after that it opens instantly.
Group
| Year | releases |
|---|---|
| 2010 | 1 |
Potentially at risk · per year
Sizing what may be missing…
Reading releases, one by one…
Reading credits. The first time takes a while — after that it opens instantly.
Potentially at risk · per year
We found songs to check but no listening data to size them. Add your distributor report for the real figure. Add my report →
Confidence: low — estimated from listening samples, not your statements12 songs flagged. Every discrepancy, where it is and how to fix it, is below. Want every song checked at every society? Get the full report.
Plays are estimated from ListenBrainz listening data, scaled to all streaming services.
Publishing: estimated plays × writer-side rate × the chance the song is really unregistered.
Neighbouring rights: a radio and public-performance proxy for tracks where you perform or produce.
An indicative estimate, not a statement of money owed. Full method →
Publishing · the songs
Paid by authors' societies (SIAE, SACEM, PRS…) to writers and publishers. Your society's register is the final word.
Recording · the masters
Paid by performers' and producers' societies (NUOVOIMAIE, PPL, GVL…) for radio and public play.
Files you add are read in your browser; amounts never leave it.
Composition, writers, ISWC and ISRC are all documented for these: the basics that let societies match plays to you.
None yet — every song we read has at least one thing to check below.
We become the publisher (admin only, you keep your rights): we register every song, fix the splits and claim what is owed, back to the oldest period still open. No upfront fee — a commission on what comes back.
No producer, mix, session or arranger credits found.
Signals come from public databases and can be wrong or incomplete; a missing code here does not prove a song is unregistered.
Neighbouring rights in the US can also be checked directly on SoundExchange's ISRC search ↗.
For the parts we can't estimate automatically, your own files are exact: add your distributor report and society statements.
Two lines from the map above: the songwriting slice of your streams, and an estimate of neighbouring rights for the recordings you play on. The recording money your distributor pays for streams is not here — it is already in your distributor statements.
Calculated automatically from 0 listens on ListenBrainz, an open listening panel that is much stronger in the UK and US than in most other countries — so elsewhere it is often an underestimate.
Plays are scaled to all services, then multiplied by a per-play rate and by your share of the songwriting.
Playlists published by public broadcasters, loaded every night (back to 5 Oct 2025): triple j Unearthed (Australia), BBC Radio 1 (United Kingdom), BBC Radio 1Xtra (United Kingdom), BBC Radio 2 (United Kingdom), Sveriges Radio P1 (Sweden), KEXP 90.3 FM Seattle (United States), Sveriges Radio P2 (Sweden), Sveriges Radio P3 (Sweden), Sveriges Radio P4 Stockholm (Sweden), Sveriges Radio P3 Din gata (Sweden), BBC Radio 6 Music (United Kingdom), BBC Radio 3 (United Kingdom), ABC Jazz (Australia), ABC Classic (Australia), triple j (Australia), Double J (Australia).
Commercial radio, TV and most countries don't publish playlists, so a song missing here can still be played elsewhere. These plays are what authors' and performers' societies pay on — compare them with your statements.
Drop it in and the figures come from your real streams, country by country — it never leaves your browser.
Adam's Bone · Cheater · I Want It All · Turn Around · Ride The Pony · Come Again · Two Against the World · Where Did Our Love Go? · Falling Out Of Love · Midnite Star · One More For the Show · The Killer In Me
Adam's Bone · Cheater · I Want It All · Turn Around · Ride The Pony · Come Again · Two Against the World · Where Did Our Love Go? · Falling Out Of Love · Midnite Star · One More For the Show · The Killer In Me
Assumed 100–500 paid tickets per show (from how much your music is listened to) at a typical local price (e.g. €15–40), × each society's published concert tariff, × the share of the set that is your own songs, × your share of the writing (50%, assumed).
Put your real ticket numbers on the shows page for a precise figure. Countries without a published tariff (e.g. the US) aren't counted.
Adam's Bone · Cheater · I Want It All · Turn Around · Ride The Pony · Come Again · Two Against the World · Where Did Our Love Go? · Falling Out Of Love · Midnite Star · One More For the Show · The Killer In Me
Adam's Bone · Cheater · I Want It All · Turn Around · Ride The Pony · Come Again · Two Against the World · Where Did Our Love Go? · Falling Out Of Love · Midnite Star · One More For the Show · The Killer In Me
Adam's Bone · Cheater · I Want It All · Turn Around · Ride The Pony · Come Again · Two Against the World · Where Did Our Love Go? · Falling Out Of Love · Midnite Star · One More For the Show · The Killer In Me