We become the publisher (admin only, you keep your rights): we register every song, fix the splits and claim what is owed, back to the oldest period still open. No upfront fee — a commission on what comes back.
Check with your own society whether the song is registered as a work, with every writer and their split.
If it is not, register it (title, writers, splits, IPI numbers) or ask your publisher or administrator to do it.
Ask for the ISWC once it is assigned and add it to your distributor's metadata.
In countries where you have no sub-publisher, check the work reached the local society; if not, ask your society to send it or claim it there.
Where your money comes from
Every song earns on two sides
The song (what you wrote) and the recording (what you recorded) are paid separately, by different organisations. Streams are only one source — radio, TV, live and public places matter as much or more for songwriters.
Publishing · the song
Songwriting money
Paid to writers and publishers by authors' societies (SIAE, SACEM, GEMA, PRS…), your publisher, and The MLC in the US.
Streaminga small slice of every stream (mechanical + performance)estimated below
Radio & TVoften the biggest item for songwriterspublic radio plays below
Live showsa share of ticket sales, if the setlist is reportedin the Live tab
Shops, bars, gyms, venuesbackground music licencesnot estimated yet
Syncads, films, series, games — by contractnot estimated yet
Downloads & CDsmechanical royalties on salesfrom your own files
Abroadcollected by local societies, passed back to yoursfrom your own files
Recording · the master
Recording money
Paid to the artist and label by the distributor, and by performers' and producers' societies (NUOVOIMAIE, PPL, GVL…).
Streaming & salesthe bulk of stream money — paid by your distributor, not a society
Unclaimed money lists
6 entries are very likely yours
Some societies publish the songs and recordings they collected money for but could not pay — and the artists they cannot reach — so rightsholders can come forward.We checked 933,311 entries from STIM (Sweden), OSA (Czechia), SOZA (SK), MESAM (Türkiye), GEMA (Germany), GVL (Germany), Gramex (Finland), SAYCO (CO).
Likely yours
6
same ISRC, your name with one of your titles, or with a real co-writer of yours
To check
9
same full name on a list from a country you're linked to — may be someone else
LA CALISTO: VIVO PER TEVery likely yours
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2143157
Matched: writer FRANCESCO CAVALLI with one of your titles · SV24
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
POMPEO MAGNO/INCOMPRENSIBIL NUME, ATTO II, SCENA 1Very likely yours
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2155013
Matched: writer PIETRO FRANCESCO CAVALLI with one of your titles · SV24
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
POMPEO MAGNO/INCOMPRENSIBIL NUME, ATTO II, SCENA 1
Two lines from the map above: the songwriting slice of your streams, and an estimate of neighbouring rights for the recordings you play on. The recording money your distributor pays for streams is not here — it is already in your distributor statements.
iHow this is calculated
Calculated automatically from 38 listens on ListenBrainz, an open listening panel that is much stronger in the UK and US than in most other countries — so elsewhere it is often an underestimate.
Plays are scaled to all services, then multiplied by a per-play rate and by your share of the songwriting.
Make it precise with your own numbers— optional, stays in your browser
Expected · public estimate · every 6 months€10 – €200
Songwriting · from streams
€10 – €200
Recording · neighbouring rights
€0 – €2
On the radio
Francesco Cavalli was not found on the public stations we track
iWhat we searched: 16 public stations
Playlists published by public broadcasters, loaded every night (back to 5 Oct 2025): triple j Unearthed (Australia), BBC Radio 2 (United Kingdom), ABC Jazz (Australia), ABC Classic (Australia), BBC Radio 3 (United Kingdom), triple j (Australia), Sveriges Radio P3 Din gata (Sweden), Double J (Australia), Sveriges Radio P1 (Sweden), Sveriges Radio P2 (Sweden), Sveriges Radio P3 (Sweden), BBC Radio 6 Music (United Kingdom), BBC Radio 1Xtra (United Kingdom), Sveriges Radio P4 Stockholm (Sweden), KEXP 90.3 FM Seattle (United States), BBC Radio 1 (United Kingdom).
Commercial radio, TV and most countries don't publish playlists, so a song missing here can still be played elsewhere. These plays are what authors' and performers' societies pay on — compare them with your statements.
Have your distributor report?
Drop it in and the figures come from your real streams, country by country — it never leaves your browser.
Musiche Sacre: No. 21, Salve Regina · Musiche Sacre: No. 22, Alma redemptoris mater · Il Xerse: Atto I scena 13, “Queste vittorie” recitative - scene 14, “Che fate, ahimè?” - scena 15, “Ah principessa” (Xerse, Amastre, Aristone) · Il Xerse: Atto III scena 1, “Non mi dir” aria - scena 2 “Ahi, scoperto è l'inganno!” aria (Romilda, Elviro, Arsamene, Adelanta) · Il Xerse: Atto I, Sinfonia. Scena 1 “Ombra mai fu” aria - Scena 3 “Tutti dormiano ancor dell'alba i rai” Recitative. (Xerse, Elviro) · Il Xerse: Atto I, scena 3, “Caro tetto felice” aria - “Siam giunti, Elviro – Intendo” recitative (Arsamene, Elviro) · Il Xerse: Atto I scena 3, “O voi - Quest'è Romilda” aria - scena 4 “Qui si canta il mio nome?” (Romilda, Arsamene, Elviro, Xerse) · Il Xerse: Atto I scena 5, “Vibra pur, ignudo Arciero” aria - “Speme m'avviva” recitative (Romilda, Arsamene, Adelanta) · Il Xerse: Atto I scena 5, “Coroniamo d'applausi” aria (Romilda, Arsamene, Adelanta) · Il Xerse: Atto I Scene 5, “Speri ch'ei sia mio sposo?” - scena 6, “Come qui…” recitative - scena 7, “Or che senza rival…” - scena 8, “Ho inabili” - scena 10, “Dove…” (Romilda, Adelanta, Arsamene, Elviro, Xerse) · Il Xerse: Atto I scene 10, “Fiamma ch'accesa fu” - “Or ditemi, chi sete?” recitative (Amastre, Aristone) · Il Xerse: Atto I scena 16, “Regie stelle, che fatali” aria - scena 17, “Ecco la lettra, Elviro” recitative (Amastre, Arsamene, Elviro) · Il Xerse: Atto I scena 17, “Innamorato cor” aria - scena 18 “Romilda vostra figlia” aria - scena 19, “Faccia che siate sposa al vostro Xerse” aria (Arsamene, Ariodate, Romilda, Adelanta) · Il Xerse: Atto II Scene 1, “Speranze, fuggite” aria – scena 2 “Pur alfin…” recitative & aria - scena 3 “Figlio del genio…” - scena 4, “Aprasi questo…” - Scena 5, “Ecco Romilda” (Amastre, Elviro, Adelanta, Xerse) · Il Xerse: Atto II scena 5, “L'amerò? Non fia vero” aria - scena 6, “Lasciate questo ferro” recitative - scena 7 “Chi tel disse?” recitative (Romilda, Aristone, Amastre, Arsamene, Elviro) · Il Xerse: Atto II scena 7, “Sciocco è ben chi crede a femina” aria - scena 9 “Arsamene, ove andate?” - scena 10, “V'inchino” recitative (Arsamene, Elviro, Xerse, Adelanta) · Il Xerse: Atto II scena 10, “Voi mi dite che non l'ami” aria (Adelanta) · Il Xerse: Atto II scena 12, “O ben sparsi sudori! - Chi brama di gloria” aria (Ariodate) · Il Xerse: Atto II scena 13, “Morirò: volete più?” aria (Amastre) · Il Xerse: Atto II scena 13, “Gran pena è gelosia!” recitative - scena 14, “Romilda, e sarà ver ch'al foco mio” recitative - scena 15, “A dietro” recitative (Xerse, Amastre, Romilda) · +15 more
Very likely yours
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2231941
Matched: writer PIETRO FRANCESCO CAVALLI with one of your titles · SV25
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
SALVE REGINA (HAIL, HOLY QUEEN)Very likely yours
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2235189
Matched: writer FRANCESCO CAVALLI with one of your titles · SV25
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
SALVE REGINA (HAIL, HOLY QUEEN)Very likely yours
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2158680
Matched: writer FRANCESCO CAVALLI with one of your titles · SV24
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
SALVE REGINA (HAIL, HOLY QUEEN)Very likely yours
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2095509
Matched: writer FRANCESCO CAVALLI with one of your titles · SV23
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
DIXIT DOMINUS A 8Same name — check
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2208884
Matched: same name (FRANCESCO CAVALLI) · SV25
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
DIXIT DOMINUS A 8Same name — check
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2048406
Matched: same name (FRANCESCO CAVALLI) · SV23
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
ERME E SOLINGHE CIME - ENDIMIONE S ARIA FROM LA CALISTOSame name — check
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2211115
Matched: same name (FRANCESCO CAVALLI) · SV25
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
INCOMPRENSIBIL NUME, FROM POMPEO MAGNOSame name — check
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2216236
Matched: same name (FRANCESCO CAVALLI) · SV25
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
LAUDA JERUSALEM (PSALM 147, HOW GOOD IT IS TO SING PRAISES TSame name — check
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2221524
Matched: same name (FRANCESCO CAVALLI) · SV25
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
MISERO APOLLO, FROM GLI AMORI DI APOLLO E DI DAFNESame name — check
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2224523
Matched: same name (FRANCESCO CAVALLI) · SV25
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
PLAINSONG ANTIPHON AND MAGNIFICATSame name — check
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2154129
Matched: same name (FRANCESCO CAVALLI) · SV24
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
PLAINSONG ANTIPHON AND MAGNIFICATSame name — check
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2231112
Matched: same name (FRANCESCO CAVALLI) · SV25
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
PLAINSONG ANTIPHON AND MAGNIFICATSame name — check
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2088324
Matched: same name (FRANCESCO CAVALLI) · SV23
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
Live shows
What your concerts should pay you
Estimated · a typical show of yours in Italy€63 – €842for you per show, once the setlist is reported to SIAE
iHow this is estimated
Assumed 100–500 paid tickets per show (from how much your music is listened to) at a typical local price (e.g. €15–40), × each society's published concert tariff, × the share of the set that is your own songs, × your share of the writing (42%).
Put your real ticket numbers on the shows page for a precise figure. Countries without a published tariff (e.g. the US) aren't counted.
