Person

Peter Evans

tenorno releases under this namecredited on 1 recording

Potentially at risk · per year

Not enough data

We found songs to check but no listening data to size them. Enter your own stream count in the semester card below for a real figure.

Confidence: low — public data and a listening proxy (strongest in the UK and US, thin elsewhere), not your statements

Publishing

—

Neighbouring rights

—

See where the money is ↓

1 song flagged. Every discrepancy, where it is and how to fix it, is below. Want every song checked at every society? Get the full report.

How this is calculated

Plays are estimated from ListenBrainz listening data, scaled to all streaming services.

Publishing: estimated plays × writer-side rate × the chance the song is really unregistered.

Neighbouring rights: a radio and public-performance proxy for tracks where you perform or produce.

An indicative estimate, not a statement of money owed. Full method →

Potentially at risk · per year

Sizing what may be missing…

Reading releases, one by one…

Reading credits from public databases. The first time takes a while — after that it opens instantly.

What to do first

most valuable first

Find the ISRC of 1 recordingPerformers' societies pay per ISRC. Start with “L’Enfance du Christ: Première partie, Le Songe d’Hérode: Scène 1: « Qui vient ? » (Un centurion, Polydorus)”.Open →

Peter Evans is credited asPerformer 1 recording

Publishing · the songs

As songwriter · none found

Open databases don't credit Peter Evans as a writer on any of these songs, so their songwriting money goes to the credited writers.

If Peter Evans co-wrote some of them, the writer credit is missing, and that is money worth checking.

Recording · the masters

As performer · 1 recording

Recordings performed or produced1 as performer · 0 as producer1

ISRC codes0 of 1 songto check →

Linked to their composition (ISRC ↔ ISWC)no ISRC in open databasesto check

Release territorieswhere performers' societies may owe money1

Unidentified-plays listsperformers' and producers' societiesnone found

Paid by performers' and producers' societies (NUOVOIMAIE, PPL, GVL…) for radio and public play.

Peter Evans has 1 credit in open databases

1 as vocal

All 1 credits checked.

Credits per year

1 checked so far

Year	credits
1995	1

Where the real numbers are

Open data shows the gaps. These show the money.

Your distributor's dashboardstreams and sales per track and per country (CSV export)Add the report →SoundExchange (US)US digital radio money for the recording, per ISRC; producers paid by letter of directionSearch ↗Your society filesworks lists, statements and CWR acknowledgements, compared with your streamsAdd files →

Files you add are read in your browser; amounts never leave it.

What's done right

0 of 1 songs are fully documented

Composition, writers, ISWC and ISRC are all in public data for these — the basics that let societies match plays to you.

None yet — every song we read has at least one thing to check below.

Want us to retrieve it?

We become the publisher (admin only, you keep your rights): we register every song, fix the splits and claim what is owed, back to the oldest period still open. No upfront fee — a commission on what comes back.

We'll recover it for you →Or get the full report first

Songs read11 recordings, incl. 1 most-played credits

With an ISRC0%recording codes · 0 not found · 1 to check

With an ISWC0%0 registered codes

Production credits1producer, session, mix

Where to look

1 thing to check, song by song

Peter Evans, Robert Poulton, Corydon Orchestra, Matthew Best · L’Enfance du Christ · 1995

L’Enfance du Christ: Première partie, Le Songe d’Hérode: Scène 1: « Qui vient ? » (Un centurion, Polydorus) →

Recording has no ISRC in public databases

To check

PPL · United Kingdom ↗

How to retrieve — register the recording for neighbouring rights

Get the ISRC of the recording from your distributor or label.
Join the neighbouring-rights society of each country where the track is played (performers and producers can join).
Declare the recording with its ISRC and your role (featured, session, producer).
Claim the periods still open; in the US, also search SoundExchange's unclaimed list.

Recordings

1 of 1

Peter Evans, Robert Poulton, Corydon Orchestra, Matthew Best · L’Enfance du Christ · 1995

L’Enfance du Christ: Première partie, Le Songe d’Hérode: Scène 1: « Qui vient ? » (Un centurion, Polydorus)

Open the song page →

To checkRecording has no ISRC in public databases · neighbouring rights

DocumentedLikely eligible for neighbouring rights as performer · neighbouring rights

ISRC: not found
Composition: L'Enfance du Christ : Première partie, scène 1. Marche nocturne « Qui vient ? » (Un centurion, Polydorus)
ISWC: not found
ISRC ↔ ISWC: not linked in open databases: plays may not reach the writers
Writers: Hector Berlioz — composer, lyricist
Production: Mark Brown — producer · Antony Howell — recording
Performers: Peter Evans — vocal (tenor vocals) · Robert Poulton — vocal (baritone vocals)
Listening: no listening data

Peter Evans

What to do first

As songwriter · none found

As performer · 1 recording

Peter Evans has 1 credit in open databases

Credits per year

Open data shows the gaps. These show the money.

0 of 1 songs are fully documented

Want us to retrieve it?

1 thing to check, song by song

L’Enfance du Christ: Première partie, Le Songe d’Hérode: Scène 1: « Qui vient ? » (Un centurion, Polydorus) →

Recordings

L’Enfance du Christ: Première partie, Le Songe d’Hérode: Scène 1: « Qui vient ? » (Un centurion, Polydorus)

Every song earns on two sides

Songwriting money

Recording money

Not on the lists we checked

What to do first

As songwriter · none found

As performer · 1 recording

Peter Evans has 1 credit in open databases

Credits per year

Open data shows the gaps. These show the money.

0 of 1 songs are fully documented

Want us to retrieve it?

1 thing to check, song by song

L’Enfance du Christ: Première partie, Le Songe d’Hérode: Scène 1: « Qui vient ? » (Un centurion, Polydorus) →

Recordings

L’Enfance du Christ: Première partie, Le Songe d’Hérode: Scène 1: « Qui vient ? » (Un centurion, Polydorus)

Every song earns on two sides

Songwriting money

Recording money

Not on the lists we checked

Production & session credits

Streaming: what it should pay you per semester

Peter Evans was not found on the public stations we track

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