Reading releases, one by one…
Finding the profile. The first time takes a while — after that it opens instantly.
Group · CL
| Year | releases |
|---|---|
| 1969 | 2 |
| 1970 | 0 |
| 1971 | 1 |
| 1972 | 0 |
| 1973 | 0 |
| 1974 | 2 |
| 1975 | 0 |
| 1976 | 0 |
| 1977 | 0 |
| 1978 | 0 |
| 1979 | 0 |
| 1980 | 0 |
| 1981 | 0 |
| 1982 | 0 |
| 1983 | 0 |
| 1984 | 0 |
| 1985 | 0 |
| 1986 | 0 |
| 1987 | 0 |
| 1988 | 0 |
| 1989 | 0 |
| 1990 | 0 |
| 1991 | 0 |
| 1992 | 0 |
| 1993 | 0 |
| 1994 | 1 |
| 1995 | 0 |
| 1996 | 0 |
| 1997 | 0 |
| 1998 | 0 |
| 1999 | 0 |
| 2000 | 0 |
| 2001 | 0 |
| 2002 | 0 |
| 2003 | 0 |
| 2004 | 0 |
| 2005 | 0 |
| 2006 | 0 |
| 2007 | 0 |
| 2008 | 0 |
| 2009 | 0 |
| 2010 | 0 |
| 2011 | 0 |
| 2012 | 0 |
| 2013 | 0 |
| 2014 | 1 |
| 2015 | 1 |
Potentially at risk · per year
Sizing what may be missing…
Reading releases, one by one…
Reading credits from public databases. The first time takes a while — after that it opens instantly.
Potentially at risk · per year
24 songs flagged. Every discrepancy, where it is and how to fix it, is below. Want every song checked at every society? Get the full report.
Plays are estimated from ListenBrainz listening data, scaled to all streaming services.
Publishing: estimated plays × writer-side rate × the chance the song is really unregistered.
Neighbouring rights: a radio and public-performance proxy for tracks where you perform or produce.
An indicative estimate, not a statement of money owed. Full method →
Publishing · the songs
Paid by authors' societies (SIAE, SACEM, PRS…) to writers and publishers. We read MusicBrainz automatically; society registers can't be read automatically, so yours is the final word.
Recording · the masters
Paid by performers' and producers' societies (NUOVOIMAIE, PPL, GVL…) for radio and public play.
Files you add are read in your browser; amounts never leave it.
Composition, writers, ISWC and ISRC are all in public data for these — the basics that let societies match plays to you.
None yet — every song we read has at least one thing to check below.
We become the publisher (admin only, you keep your rights): we register every song, fix the splits and claim what is owed, back to the oldest period still open. No upfront fee — a commission on what comes back.
No morirá jamás · 2015 · 2 recordings
No composition linked to this recording
No morirá jamás · 2015 · 3 recordings
No composition linked to this recording
No morirá jamás · 2015 · 3 recordings
No composition linked to this recording
No morirá jamás · 2015 · 3 recordings
No composition linked to this recording
No morirá jamás · 2015 · 3 recordings
Recording has no ISRC in public databases
No morirá jamás · 2015 · 2 recordings
Recording has no ISRC in public databases
No morirá jamás · 2015 · 3 recordings
Recording has no ISRC in public databases
No morirá jamás · 2015 · 3 recordings
Recording has no ISRC in public databases
No morirá jamás · 2015 · 3 recordings
Recording has no ISRC in public databases
No morirá jamás · 2015 · 4 recordings
Recording has no ISRC in public databases
No morirá jamás · 2015 · 2 recordings
Recording has no ISRC in public databases
1 as samples from artist
Producers and session players are often missing from platform credits and from neighbouring-rights registrations.
Signals come from public databases and can be wrong or incomplete; a missing code here does not prove a song is unregistered.
Neighbouring rights in the US can also be checked directly on SoundExchange's ISRC search ↗.
For the parts we can't estimate from public data, your own files are exact: add your distributor report and society statements.
Two lines from the map above: the songwriting slice of your streams, and an estimate of neighbouring rights for the recordings you play on. The recording money your distributor pays for streams is not here — it is already in your distributor statements.
Calculated automatically from 9,222 listens on ListenBrainz, an open listening panel that is much stronger in the UK and US than in most other countries — so elsewhere it is often an underestimate.
Plays are scaled to all services, then multiplied by a per-play rate and by your share of the songwriting.
Playlists published by public broadcasters, loaded every night (back to 5 Oct 2025): triple j Unearthed (Australia), BBC Radio 1 (United Kingdom), BBC Radio 1Xtra (United Kingdom), BBC Radio 2 (United Kingdom), Sveriges Radio P1 (Sweden), KEXP 90.3 FM Seattle (United States), Sveriges Radio P2 (Sweden), Sveriges Radio P3 (Sweden), Sveriges Radio P4 Stockholm (Sweden), Sveriges Radio P3 Din gata (Sweden), BBC Radio 6 Music (United Kingdom), BBC Radio 3 (United Kingdom), ABC Jazz (Australia), ABC Classic (Australia), triple j (Australia), Double J (Australia).
Commercial radio, TV and most countries don't publish playlists, so a song missing here can still be played elsewhere. These plays are what authors' and performers' societies pay on — compare them with your statements.
Drop it in and the figures come from your real streams, country by country — it never leaves your browser.
Tanto adiós · Y Volveré (Remastered 1994) · A la mujer que tanto amé (live) · Déjenme si estoy llorando (live) · Debut y despedida (live) · El tren hacia el olvido · Tú y tu mirar, yo y mi canción · Las Victorias De Viña Del Mar · Jetzabel · Quiero Más De Ti · Te Dejo La Ciudad Sin Mi · Quisiera No Quererte Más · Amor por ti · Tres palabras (live) · El Rey Y Yo · Cómo Quisiera Decirte · Murió La Flor · Mi Niña · Y volveré · Murió la flor · +5 more
Tanto adiós · A la mujer que tanto amé (live) · Déjenme si estoy llorando (live) · Debut y despedida (live) · Ámame · Cuando tú te vayas · Y volveré · Murió la flor · Esta noche la paso contigo · Porque te quiero · Comó quisiera decirte · A tu recuerdo (live)
Assumed 100–500 paid tickets per show (from how much your music is listened to) at a typical local price (e.g. €15–40), × each society's published concert tariff, × the share of the set that is your own songs, × your share of the writing (54%).
Put your real ticket numbers on the shows page for a precise figure. Countries without a published tariff (e.g. the US) aren't counted.