Paid by authors' societies (SIAE, SACEM, PRS…) to writers and publishers. We read open music databases; your society's own register is the final word.
Recording · the masters
Neighbouring rights
Songs performed or producedno performer or producer credit found0
ISRC codes—to check
Release territorieswhere performers' societies may owe you2
Unidentified-plays listsperformers' and producers' societiesnone found
Paid by performers' and producers' societies (NUOVOIMAIE, PPL, GVL…) for radio and public play.
What's done right
0 of 58 songs are fully documented
Composition, writers, ISWC and ISRC are all in public data for these — the basics that let societies match plays to you.
None yet — every song we read has at least one thing to check below.
Want us to retrieve it?
We become the publisher (admin only, you keep your rights): we register every song, fix the splits and claim what is owed, back to the oldest period still open. No upfront fee — a commission on what comes back.
Ask your society for the ISWC of the work. No ISWC often means an incomplete registration.
Complete what is missing (writers, splits, publisher) so the code can be assigned.
Where your money comes from
Every song earns on two sides
The song (what you wrote) and the recording (what you recorded) are paid separately, by different organisations. Streams are only one source — radio, TV, live and public places matter as much or more for songwriters.
Publishing · the song
Songwriting money
Paid to writers and publishers by authors' societies (SIAE, SACEM, GEMA, PRS…), your publisher, and The MLC in the US.
Streaminga small slice of every stream (mechanical + performance)estimated below
Radio & TVoften the biggest item for songwriterspublic radio plays below
Live showsa share of ticket sales, if the setlist is reportedin the Live tab
Shops, bars, gyms, venuesbackground music licencesnot estimated yet
Syncads, films, series, games — by contractnot estimated yet
Downloads & CDsmechanical royalties on salesfrom your own files
Abroadcollected by local societies, passed back to yoursfrom your own files
Recording · the master
Recording money
Paid to the artist and label by the distributor, and by performers' and producers' societies (NUOVOIMAIE, PPL, GVL…).
Streaming & salesthe bulk of stream money — paid by your distributor, not a society
Unclaimed money lists
11 entries are very likely yours
Some societies publish the songs and recordings they collected money for but could not pay — and the artists they cannot reach — so rightsholders can come forward.We checked 933,311 entries from STIM (Sweden), OSA (Czechia), SOZA (SK), MESAM (Türkiye), GEMA (Germany), GVL (Germany), Gramex (Finland), SAYCO (CO).
Likely yours
11
same ISRC, your name with one of your titles, or with a real co-writer of yours
To check
0
same full name on a list from a country you're linked to — may be someone else
ACH HERR, STRAFE MICH NICHT, OP.110, NO.2Very likely yours
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2121487
Matched: writer MAX REGER with one of your titles · SV24
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
ACH HERR, STRAFE MICH NICHT, OP.110, NO.2Very likely yours
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2036237
Matched: writer MAX REGER with one of your titles · SV23
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
EINE BALLET-SUITE, OP. 130Very likely yours
Share the ISWC with your distributor and publisher so platforms can match plays to the work.
Two lines from the map above: the songwriting slice of your streams, and an estimate of neighbouring rights for the recordings you play on. The recording money your distributor pays for streams is not here — it is already in your distributor statements.
iHow this is calculated
Calculated automatically from 34 listens on ListenBrainz, an open listening panel that is much stronger in the UK and US than in most other countries — so elsewhere it is often an underestimate.
Plays are scaled to all services, then multiplied by a per-play rate and by your share of the songwriting.
Make it precise with your own numbers— optional, stays in your browser
Expected · public estimate · every 6 months€0 – €20
Songwriting · from streams
€0 – €20
Recording · neighbouring rights
—
On the radio
Max Reger was not found on the public stations we track
iWhat we searched: 16 public stations
Playlists published by public broadcasters, loaded every night (back to 5 Oct 2025): Sveriges Radio P4 Stockholm (Sweden), BBC Radio 3 (United Kingdom), BBC Radio 1Xtra (United Kingdom), BBC Radio 1 (United Kingdom), BBC Radio 2 (United Kingdom), KEXP 90.3 FM Seattle (United States), Double J (Australia), BBC Radio 6 Music (United Kingdom), triple j Unearthed (Australia), ABC Jazz (Australia), ABC Classic (Australia), Sveriges Radio P3 Din gata (Sweden), Sveriges Radio P1 (Sweden), triple j (Australia), Sveriges Radio P2 (Sweden), Sveriges Radio P3 (Sweden).
Commercial radio, TV and most countries don't publish playlists, so a song missing here can still be played elsewhere. These plays are what authors' and performers' societies pay on — compare them with your statements.
Have your distributor report?
Drop it in and the figures come from your real streams, country by country — it never leaves your browser.
Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation I · Acht geistliche Gesänge, op. 138: Nachtlied · Acht geistliche Gesänge, op. 138: Der Mensch lebt und besteht nur kleine Zeit · Acht geistliche Gesänge, op. 138: Morgengesang · Acht geistliche Gesänge, op. 138: Unser lieben Frauen Traum · Acht geistliche Gesänge, op. 138: Kreuzfahrerlied · Acht geistliche Gesänge, op. 138: Das Agnus Dei · Acht geistliche Gesänge, op. 138: Schlachtgesang · Acht geistliche Gesänge, op. 138: Wir glauben an einen Gott · String Quartet no. 0 in D minor: I. Allegro energico · String Quartet no. 0 in D minor: II. Adagio · String Quartet no. 0 in D minor: III. Finale »Aufschwung« · String Quartet no. 1 in G minor, op. 54 no. 1: I. Allegro agitato · String Quartet no. 1 in G minor, op. 54 no. 1: II. Vivace assai · String Quartet no. 1 in G minor, op. 54 no. 1: III. Largo mesto · String Quartet no. 1 in G minor, op. 54 no. 1: IV. Prestissimo assai · String Quartet no. 2 in A major, op. 54 no. 2: I. Allegro assai e bizarro · String Quartet no. 2 in A major, op. 54 no. 2: II. Andante semplice con variazioni · String Quartet no. 2 in A major, op. 54 no. 2: III. Allegro vivace con spirito · String Quartet no. 3 in D minor, op. 74: I. Allegro agitato e vivace · +38 more
Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation I · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Andante grazioso · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation II · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation III · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation IV · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation V · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation VI · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation VII · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation VIII · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Fugue (Allegretto grazioso) · Symphonischer Prolog zu einer Tragödie, op. 108
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2210258
Matched: writer MAX REGER with one of your titles · SV25
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
EINE BALLET-SUITE, OP. 130Very likely yours
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2130927
Matched: writer MAX REGER with one of your titles · SV24
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
INTRODUCTION UND PASSACAGLIA D MOLVery likely yours
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2182869
Matched: writer MAX REGER with one of your titles · KM2501
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
MARIA WIEGENLIEDVery likely yours
STIM (Sweden) — Works STIM collected money for but that nobody registered · ref 324228
Matched: writer MAX REGER with one of your titles
How to claim: Register the work with your own society (or STIM if you are a member) and tell STIM it appears on this list. Official list ↗
MARIAS VAGGSAANGVery likely yours
STIM (Sweden) — Works STIM collected money for but that nobody registered · ref 5502616
Matched: writer MAX REGER with one of your titles
How to claim: Register the work with your own society (or STIM if you are a member) and tell STIM it appears on this list. Official list ↗
SEELENBRAUTIGAM, OP. 67 C. 35Very likely yours
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2235649
Matched: writer MAX REGER with one of your titles · SV25
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
VARIATIONS AND FUGUE ON A THEME BY BEETHOVEN, OP. 86Very likely yours
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2169763
Matched: writer MAX REGER with one of your titles · SV24
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
VARIATIONS AND FUGUE ON A THEME BY BEETHOVEN, OP. 86Very likely yours
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2112722
Matched: writer MAX REGER with one of your titles · SV23
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
WERDE MUNTER, MEIN GEMUTE, OP. 67 C. 47Very likely yours
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2247209
Matched: writer MAX REGER with one of your titles · SV25
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
Live shows
What your concerts should pay you
Estimated · a typical show of yours in Germany€54 – €720for you per show, once the setlist is reported to GEMA
iHow this is estimated
Assumed 100–500 paid tickets per show (from how much your music is listened to) at a typical local price (e.g. €15–40), × each society's published concert tariff, × the share of the set that is your own songs, × your share of the writing (74%).
Put your real ticket numbers on the shows page for a precise figure. Countries without a published tariff (e.g. the US) aren't counted.
Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation I · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Andante grazioso · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation II · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation III · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation IV · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation V · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation VI · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation VII · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation VIII · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Fugue (Allegretto grazioso) · Symphonischer Prolog zu einer Tragödie, op. 108
Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation I · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Andante grazioso · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation II · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation III · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation IV · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation V · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation VI · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation VII · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation VIII · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Fugue (Allegretto grazioso) · Symphonischer Prolog zu einer Tragödie, op. 108
Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation I · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Andante grazioso · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation II · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation III · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation IV · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation V · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation VI · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation VII · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation VIII · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Fugue (Allegretto grazioso) · Symphonischer Prolog zu einer Tragödie, op. 108
Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation I · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Andante grazioso · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation II · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation III · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation IV · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation V · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation VI · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation VII · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation VIII · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Fugue (Allegretto grazioso) · Symphonischer Prolog zu einer Tragödie, op. 108
Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation I · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Andante grazioso · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation II · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation III · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation IV · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation V · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation VI · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation VII · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation VIII · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Fugue (Allegretto grazioso) · Symphonischer Prolog zu einer Tragödie, op. 108
Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation I · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Andante grazioso · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation II · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation III · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation IV · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation V · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation VI · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation VII · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation VIII · Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Fugue (Allegretto grazioso) · Symphonischer Prolog zu einer Tragödie, op. 108
