We become the publisher (admin only, you keep your rights): we register every song, fix the splits and claim what is owed, back to the oldest period still open. No upfront fee — a commission on what comes back.
Check with your own society whether the song is registered as a work, with every writer and their split.
If it is not, register it (title, writers, splits, IPI numbers) or ask your publisher or administrator to do it.
Ask for the ISWC once it is assigned and add it to your distributor's metadata.
Where your money comes from
Every song earns on two sides
The song (what you wrote) and the recording (what you recorded) are paid separately, by different organisations. Streams are only one source — radio, TV, live and public places matter as much or more for songwriters.
Publishing · the song
Songwriting money
Paid to writers and publishers by authors' societies (SIAE, SACEM, GEMA, PRS…), your publisher, and The MLC in the US.
Streaminga small slice of every stream (mechanical + performance)estimated below
Radio & TVoften the biggest item for songwriterspublic radio plays below
Live showsa share of ticket sales, if the setlist is reportedin the Live tab
Shops, bars, gyms, venuesbackground music licencesnot estimated yet
Syncads, films, series, games — by contractnot estimated yet
Downloads & CDsmechanical royalties on salesfrom your own files
Abroadcollected by local societies, passed back to yoursfrom your own files
Recording · the master
Recording money
Paid to the artist and label by the distributor, and by performers' and producers' societies (NUOVOIMAIE, PPL, GVL…).
Streaming & salesthe bulk of stream money — paid by your distributor, not a society
Unclaimed money lists
2 entries carry your name
Some societies publish the songs and recordings they collected money for but could not pay — and the artists they cannot reach — so rightsholders can come forward.We checked 933,311 entries from STIM (Sweden), OSA (Czechia), SOZA (SK), MESAM (Türkiye), GEMA (Germany), GVL (Germany), Gramex (Finland), SAYCO (CO).
Likely yours
0
same ISRC, your name with one of your titles, or with a real co-writer of yours
To check
2
same full name on a list from a country you're linked to — may be someone else
AVE MARIASame name — check
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2123101
Matched: same name (HELMUT FROSCHAUER) · SV24
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
ROMANSSI ALTTOVIULULLE JA ORKESTERILLE F-DUURI OP.85.Same name — check
Gramex (Finland) — Radio plays in Finland that Gramex could not match to a registered recording · ref 2056213
Matched: same name (HELMUTH FROSCHAUER)
How to claim: Register the recording with Gramex (or ask your neighbouring-rights society to) quoting the Gramex ID. Official list ↗
In countries where you have no sub-publisher, check the work reached the local society; if not, ask your society to send it or claim it there.
Ask each society for back-payment of the periods they still allow you to claim.
Männerchöre: Das Dörfchen / Nachtgesang im Walde / Die Nachtigall / Der Gondelfahrer / etc. · 2010
✕Not foundNo composition linked to this recording · publishing
✓DocumentedLikely eligible for neighbouring rights as performer · neighbouring rights
ISRC
USB8U1012387
Composition
not linked
ISWC
not found
Writers
not documented
Production
not documented
Performers
Michael Tröster, Männerchor des Kölner Rundfunkchores, Helmuth Froschauer
Listening
no listening data
Credits
Production & session credits
383 as chorus master · 157 as conductor · 3 as arranger
Ave, Verum Corpusarranger, conductor
In stiller Nachtarranger
Morgenblätter: Walzerarranger
Die Entführung aus dem Serail, KV 384: Dritter Akt, Nr. 21b. Chor der Janitscharen: »Bassa Selim lebe lange«chorus master
Die Entführung aus dem Serail, KV 384: Erster Akt. »Versteckt euch, Herr« (Pedrillo) - Chor der Janitscharen: »Singt dem großen Bassa Lieder« (Chor)chorus master
Carmen : Acte I. « Avec la garde montante »chorus master
Carmen : Acte IV. « Les voici ! Voici la quadrille ! »chorus master
Der Frühling, No. 2 Chor: "Komm, holder Lenz!"chorus master
Der Frühling, No. 6 Terzett und Chor: "Sein nun gnädig, milder Himmel!"chorus master
Der Frühling, No. 8 Freudenlied (Hanne, Lukas, Chor): "O wie lieblich"chorus master
Der Frühling, No. 9 Chor mit Solisten: "Ewiger, mächtiger, gütiger Gott!"chorus master
Der Herbst, No. 23 Terzett und Chor: "So lohnet die Natur den Fleiß"chorus master
Producers and session players are often missing from platform credits and from neighbouring-rights registrations.
iAbout these signals
Signals come from public databases and can be wrong or incomplete; a missing code here does not prove a song is unregistered.
Two lines from the map above: the songwriting slice of your streams, and an estimate of neighbouring rights for the recordings you play on. The recording money your distributor pays for streams is not here — it is already in your distributor statements.
iHow this is calculated
Calculated automatically from 0 listens on ListenBrainz, an open listening panel that is much stronger in the UK and US than in most other countries — so elsewhere it is often an underestimate.
Plays are scaled to all services, then multiplied by a per-play rate and by your share of the songwriting.
Make it precise with your own numbers— optional, stays in your browser
Expected · public estimate · every 6 monthsNot enough data
Songwriting · from streams
—
Recording · neighbouring rights
—
On the radio
Helmuth Froschauer was not found on the public stations we track
iWhat we searched: 16 public stations
Playlists published by public broadcasters, loaded every night (back to 5 Oct 2025): triple j Unearthed (Australia), BBC Radio 2 (United Kingdom), ABC Jazz (Australia), ABC Classic (Australia), BBC Radio 3 (United Kingdom), triple j (Australia), Sveriges Radio P3 Din gata (Sweden), Double J (Australia), Sveriges Radio P1 (Sweden), Sveriges Radio P2 (Sweden), Sveriges Radio P3 (Sweden), BBC Radio 6 Music (United Kingdom), BBC Radio 1Xtra (United Kingdom), Sveriges Radio P4 Stockholm (Sweden), KEXP 90.3 FM Seattle (United States), BBC Radio 1 (United Kingdom).
Commercial radio, TV and most countries don't publish playlists, so a song missing here can still be played elsewhere. These plays are what authors' and performers' societies pay on — compare them with your statements.
Have your distributor report?
Drop it in and the figures come from your real streams, country by country — it never leaves your browser.
Das Dörfchen, op. 11/1, D. 598 · Wein und Liebe, D. 901 · Geist der Liebe, 11/3, D. 747 · Die Nacht, op. 17/4, D. 983c · Jagdlied, D. 521 · Widerspruch, op. 105/1, D. 865 · Ewige Liebe, op. 64/2, D. 825a · Naturgemäß, op. 16/2, D. 422 · Lied im Freien, D. 572 · Frühlingsgesang, op. 16/1, D. 740 · Der Gondelfahrer, op. 28, D. 809 · Gesang der Geister uber den Wassern, D. 538 · Zur Namensfeier meines Vaters, D. 80 · Nachtgesang im Walde, op. 139, D. 913 · La pastorella al prato, D. 513 · Die Nachtigall, 11/2, D. 724 · Die Allmacht, op. 79/2, D. 852 / 875a · Konzertstück Nr. 1 f-moll op. 113 für Klarinette, Bassetthorn und Orchester: I. Allegro molto · Konzertstück Nr. 1 f-moll op. 113 für Klarinette, Bassetthorn und Orchester: II. Andante · Konzertstück Nr. 1 f-moll op. 113 für Klarinette, Bassetthorn und Orchester: III. Allegro molto · +15 more
Das Dörfchen, op. 11/1, D. 598 · Wein und Liebe, D. 901 · Geist der Liebe, 11/3, D. 747 · Die Nacht, op. 17/4, D. 983c · Jagdlied, D. 521 · Widerspruch, op. 105/1, D. 865 · Ewige Liebe, op. 64/2, D. 825a · Naturgemäß, op. 16/2, D. 422 · Lied im Freien, D. 572 · Frühlingsgesang, op. 16/1, D. 740 · Der Gondelfahrer, op. 28, D. 809 · Gesang der Geister uber den Wassern, D. 538 · Zur Namensfeier meines Vaters, D. 80 · Nachtgesang im Walde, op. 139, D. 913 · La pastorella al prato, D. 513 · Die Nachtigall, 11/2, D. 724 · Die Allmacht, op. 79/2, D. 852 / 875a
Live shows
What your concerts should pay you
Estimated · a typical show of yours in Austria€75 – €1,000for you per show, once the setlist is reported to AKM
iHow this is estimated
Assumed 100–500 paid tickets per show (from how much your music is listened to) at a typical local price (e.g. €15–40), × each society's published concert tariff, × the share of the set that is your own songs, × your share of the writing (50%, assumed).
Put your real ticket numbers on the shows page for a precise figure. Countries without a published tariff (e.g. the US) aren't counted.
Das Dörfchen, op. 11/1, D. 598 · Wein und Liebe, D. 901 · Geist der Liebe, 11/3, D. 747 · Die Nacht, op. 17/4, D. 983c · Jagdlied, D. 521 · Widerspruch, op. 105/1, D. 865 · Ewige Liebe, op. 64/2, D. 825a · Naturgemäß, op. 16/2, D. 422 · Lied im Freien, D. 572 · Frühlingsgesang, op. 16/1, D. 740 · Der Gondelfahrer, op. 28, D. 809 · Gesang der Geister uber den Wassern, D. 538 · Zur Namensfeier meines Vaters, D. 80 · Nachtgesang im Walde, op. 139, D. 913 · La pastorella al prato, D. 513 · Die Nachtigall, 11/2, D. 724 · Die Allmacht, op. 79/2, D. 852 / 875a
Das Dörfchen, op. 11/1, D. 598 · Wein und Liebe, D. 901 · Geist der Liebe, 11/3, D. 747 · Die Nacht, op. 17/4, D. 983c · Jagdlied, D. 521 · Widerspruch, op. 105/1, D. 865 · Ewige Liebe, op. 64/2, D. 825a · Naturgemäß, op. 16/2, D. 422 · Lied im Freien, D. 572 · Frühlingsgesang, op. 16/1, D. 740 · Der Gondelfahrer, op. 28, D. 809 · Gesang der Geister uber den Wassern, D. 538 · Zur Namensfeier meines Vaters, D. 80 · Nachtgesang im Walde, op. 139, D. 913 · La pastorella al prato, D. 513 · Die Nachtigall, 11/2, D. 724 · Die Allmacht, op. 79/2, D. 852 / 875a
Das Dörfchen, op. 11/1, D. 598 · Wein und Liebe, D. 901 · Geist der Liebe, 11/3, D. 747 · Die Nacht, op. 17/4, D. 983c · Jagdlied, D. 521 · Widerspruch, op. 105/1, D. 865 · Ewige Liebe, op. 64/2, D. 825a · Naturgemäß, op. 16/2, D. 422 · Lied im Freien, D. 572 · Frühlingsgesang, op. 16/1, D. 740 · Der Gondelfahrer, op. 28, D. 809 · Gesang der Geister uber den Wassern, D. 538 · Zur Namensfeier meines Vaters, D. 80 · Nachtgesang im Walde, op. 139, D. 913 · La pastorella al prato, D. 513 · Die Nachtigall, 11/2, D. 724 · Die Allmacht, op. 79/2, D. 852 / 875a
Der Vampyr: Ouvertüre · Der Vampyr: Akt I Bild 1. "Ihr Hexen und Geister" · Der Vampyr: Akt I Bild 1. "Ha! Noch einen ganzen Tag! Ha! Welche Lust" · Der Vampyr: Akt I Bild 1. "Teurer Eltern einz'ge Freunde" · Der Vampyr: Akt I Bild 1. "Wie kann sie sein?" · Der Vampyr: Akt I Bild 1. Sostenuto · Der Vampyr: Akt I Bild 2. "Heiter lacht die goldne Frühlingssonne" · Der Vampyr: Akt I Bild 2. "Du bits's, es ist kein Traum" · Der Vampyr: Akt I Bild 2. "Wie? Mein Vater" · Der Vampyr: Akt I Bild 2. "Blumen und Blüten im Zephyrgekose" · Der Vampyr: Akt I Bild 2. "Hier, Malwina, ist der Mann" · Der Vampyr: Akt I Bild 2. "Der Priester ist bestellt" · Der Vampyr: Akt II Bild 1. "Munter, edle Zechner, munter, köstlich ist der Wein" · Der Vampyr: Akt II Bild 1. "Dort an jenem Felsenhang" · Der Vampyr: Akt II Bild 1. "Sieh, Mutter, dort den bleichen Mann" · Der Vampyr: Akt II Bild 1. "Ihr wollt mich nur beschämen" · Der Vampyr: Akt II Bild 1. "Wohl, du zwingst mich zum Verbrechen" · Der Vampyr: Akt II Bild 1. "Wie ein schnöner Flühlingsmorgen" · Der Vampyr: Akt II Bild 1. "Leise dort zur fernen Laube" · Der Vampyr: Akt II Bild 1. "Im Herbst, du muss man trinken" · +6 more