Paid by authors' societies (SIAE, SACEM, PRS…) to writers and publishers. We read open music databases; your society's own register is the final word.
Recording · the masters
Neighbouring rights
Songs performed or producedneighbouring rights apply to these recordings15
ISRC codes12 of 15 songsdocumented
Release territorieswhere performers' societies may owe you1
Unidentified-plays listsperformers' and producers' societiesnone found
Paid by performers' and producers' societies (NUOVOIMAIE, PPL, GVL…) for radio and public play.
What's done right
0 of 15 songs are fully documented
Composition, writers, ISWC and ISRC are all in public data for these — the basics that let societies match plays to you.
None yet — every song we read has at least one thing to check below.
Want us to retrieve it?
We become the publisher (admin only, you keep your rights): we register every song, fix the splits and claim what is owed, back to the oldest period still open. No upfront fee — a commission on what comes back.
Check with your own society whether the song is registered as a work, with every writer and their split.
If it is not, register it (title, writers, splits, IPI numbers) or ask your publisher or administrator to do it.
Ask for the ISWC once it is assigned and add it to your distributor's metadata.
In countries where you have no sub-publisher, check the work reached the local society; if not, ask your society to send it or claim it there.
Where your money comes from
Every song earns on two sides
The song (what you wrote) and the recording (what you recorded) are paid separately, by different organisations. Streams are only one source — radio, TV, live and public places matter as much or more for songwriters.
Publishing · the song
Songwriting money
Paid to writers and publishers by authors' societies (SIAE, SACEM, GEMA, PRS…), your publisher, and The MLC in the US.
Streaminga small slice of every stream (mechanical + performance)estimated below
Radio & TVoften the biggest item for songwriterspublic radio plays below
Live showsa share of ticket sales, if the setlist is reportedin the Live tab
Shops, bars, gyms, venuesbackground music licencesnot estimated yet
Syncads, films, series, games — by contractnot estimated yet
Downloads & CDsmechanical royalties on salesfrom your own files
Abroadcollected by local societies, passed back to yoursfrom your own files
Recording · the master
Recording money
Paid to the artist and label by the distributor, and by performers' and producers' societies (NUOVOIMAIE, PPL, GVL…).
Streaming & salesthe bulk of stream money — paid by your distributor, not a society
Unclaimed money lists
2 entries carry your name
Some societies publish the songs and recordings they collected money for but could not pay — and the artists they cannot reach — so rightsholders can come forward.We checked 933,311 entries from STIM (Sweden), OSA (Czechia), SOZA (SK), MESAM (Türkiye), GEMA (Germany), GVL (Germany), Gramex (Finland), SAYCO (CO).
Likely yours
0
same ISRC, your name with one of your titles, or with a real co-writer of yours
To check
2
same full name on a list from a country you're linked to — may be someone else
NAMALJUJU TOBI ZORISame name — check
OSA (Czechia) — Titles reported by music users that OSA could not match to a registered work · ref P004360011
Matched: same name (KAROL TINA)
How to claim: Email nositele.prav@osa.cz with the title and code, or ask your own society to claim it from OSA. Official list ↗
WE WONT STAY FRIENDSSame name — check
STIM (Sweden) — Works STIM collected money for but that nobody registered · ref 26344437
Matched: same name (TINA KAROL)
How to claim: Register the work with your own society (or STIM if you are a member) and tell STIM it appears on this list. Official list ↗
Ask each society for back-payment of the periods they still allow you to claim.
Two lines from the map above: the songwriting slice of your streams, and an estimate of neighbouring rights for the recordings you play on. The recording money your distributor pays for streams is not here — it is already in your distributor statements.
iHow this is calculated
Calculated automatically from 672 listens on ListenBrainz, an open listening panel that is much stronger in the UK and US than in most other countries — so elsewhere it is often an underestimate.
Plays are scaled to all services, then multiplied by a per-play rate and by your share of the songwriting.
Make it precise with your own numbers— optional, stays in your browser
Expected · public estimate · every 6 months€300 – €10,000
Songwriting · from streams
€250 – €9,500
Recording · neighbouring rights
€10 – €500
Have your distributor report?
Drop it in and the figures come from your real streams, country by country — it never leaves your browser.
Bounty · Kolomyika · One Nation Under Love (Ukrainian version) · Chervona Kalyna · Lovers · Scandal · Mad Love · Crazy · Good Guy · 2bl Paradise · Life Is Great · Outro · Secret · I See the Light · Адреналін
Bounty · Kolomyika · One Nation Under Love (Ukrainian version) · Chervona Kalyna · Lovers · Scandal · Mad Love · Crazy · Good Guy · 2bl Paradise · Life Is Great · Outro · Secret · I See the Light · Адреналін
Bounty · Kolomyika · One Nation Under Love (Ukrainian version) · Chervona Kalyna · Lovers · Scandal · Mad Love · Crazy · Good Guy · 2bl Paradise · Life Is Great · Outro · Secret · I See the Light · Адреналін
Bounty · Kolomyika · One Nation Under Love (Ukrainian version) · Chervona Kalyna · Lovers · Scandal · Mad Love · Crazy · Good Guy · 2bl Paradise · Life Is Great · Outro · Secret · I See the Light · Адреналін
Bounty · Kolomyika · One Nation Under Love (Ukrainian version) · Chervona Kalyna · Lovers · Scandal · Mad Love · Crazy · Good Guy · 2bl Paradise · Life Is Great · Outro · Secret · I See the Light · Адреналін
Live shows
What your concerts should pay you
Estimated · 2 of 2 shows found on setlist.fm since 2023€126 – €1,475for you, if every setlist was reported
iHow this is estimated
Assumed 100–500 paid tickets per show (from how much your music is listened to) at a typical local price (e.g. €15–40), × each society's published concert tariff, × the share of the set that is your own songs, × your share of the writing (90%).
Put your real ticket numbers on the shows page for a precise figure. Countries without a published tariff (e.g. the US) aren't counted.
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