Reading releases, one by one…
Finding the profile. The first time takes a while — after that it opens instantly.
Person · US
| Year | releases |
|---|---|
| 1993 | 5 |
| 1994 | 3 |
| 1995 | 2 |
| 1996 | 3 |
| 1997 | 0 |
| 1998 | 0 |
| 1999 | 0 |
| 2000 | 0 |
| 2001 | 0 |
| 2002 | 0 |
| 2003 | 1 |
| 2004 | 0 |
| 2005 | 1 |
| 2006 | 1 |
| 2007 | 0 |
| 2008 | 0 |
| 2009 | 0 |
| 2010 | 0 |
| 2011 | 0 |
| 2012 | 0 |
| 2013 | 1 |
Potentially at risk · per year
Sizing what may be missing…
Reading releases, one by one…
Reading credits from public databases. The first time takes a while — after that it opens instantly.
Potentially at risk · per year
74 songs flagged. Every discrepancy, where it is and how to fix it, is below. Want every song checked at every society? Get the full report.
Plays are estimated from ListenBrainz listening data, scaled to all streaming services.
Publishing: estimated plays × writer-side rate × the chance the song is really unregistered.
Neighbouring rights: a radio and public-performance proxy for tracks where you perform or produce.
An indicative estimate, not a statement of money owed. Full method →
Publishing · the songs
Paid by authors' societies (SIAE, SACEM, PRS…) to writers and publishers. We read MusicBrainz automatically; society registers can't be read automatically, so yours is the final word.
Recording · the masters
Paid by performers' and producers' societies (NUOVOIMAIE, PPL, GVL…) for radio and public play.
Files you add are read in your browser; amounts never leave it.
Composition, writers, ISWC and ISRC are all in public data for these — the basics that let societies match plays to you.
We become the publisher (admin only, you keep your rights): we register every song, fix the splits and claim what is owed, back to the oldest period still open. No upfront fee — a commission on what comes back.
Fast Man Raider Man · 2006
No composition linked to this recording
Teenager of the Year · 1994
Composition has no ISWC in public databases
Teenager of the Year · 1994 · 2 recordings
Composition has no ISWC in public databases
Teenager of the Year · 1994
Composition has no ISWC in public databases
The Cult of Ray · 1996
Composition has no ISWC in public databases
Fast Man Raider Man · 2006
Recording has no ISRC in public databases
Fast Man Raider Man · 2006
Recording has no ISRC in public databases
Hello Recording Club 1993‐11 · 1993
Composition exists but is not linked to this recording
Hello Recording Club 1993‐11 · 1993
Composition exists but is not linked to this recording
Hello Recording Club 1993‐11 · 1993
Recording has no ISRC in public databases
165 as vocal · 134 as instrument · 12 as producer · 7 as performer
Producers and session players are often missing from platform credits and from neighbouring-rights registrations.
Signals come from public databases and can be wrong or incomplete; a missing code here does not prove a song is unregistered.
Neighbouring rights in the US can also be checked directly on SoundExchange's ISRC search ↗.
For the parts we can't estimate from public data, your own files are exact: add your distributor report and society statements.
Two lines from the map above: the songwriting slice of your streams, and an estimate of neighbouring rights for the recordings you play on. The recording money your distributor pays for streams is not here — it is already in your distributor statements.
Calculated automatically from 804,947 listens on ListenBrainz, an open listening panel that is much stronger in the UK and US than in most other countries — so elsewhere it is often an underestimate.
Plays are scaled to all services, then multiplied by a per-play rate and by your share of the songwriting.
Each of these should earn on both sides: the song (authors' society) and the recording (performers' and producers' societies).
Playlists published by public broadcasters, loaded every night (back to 5 Oct 2025): triple j Unearthed (Australia), BBC Radio 1 (United Kingdom), BBC Radio 1Xtra (United Kingdom), BBC Radio 2 (United Kingdom), Sveriges Radio P1 (Sweden), KEXP 90.3 FM Seattle (United States), Sveriges Radio P2 (Sweden), Sveriges Radio P3 (Sweden), Sveriges Radio P4 Stockholm (Sweden), Sveriges Radio P3 Din gata (Sweden), BBC Radio 6 Music (United Kingdom), BBC Radio 3 (United Kingdom), ABC Jazz (Australia), ABC Classic (Australia), triple j (Australia), Double J (Australia).
Commercial radio, TV and most countries don't publish playlists, so a song missing here can still be played elsewhere. These plays are what authors' and performers' societies pay on — compare them with your statements.
Drop it in and the figures come from your real streams, country by country — it never leaves your browser.
If Your Poison Gets You · Johnny Barleycorn · In the Time of My Ruin · Raider Man · Fast Man · You Can’t Crucify Yourself · Wanderlust · Seven Days · Kiss My Ring · Highway to Lowdown · Dog Sleep · The End of the Summer · Elijah · When the Paint Grows Darker Still · Where the Wind Is Going · Down to You · Golden Shore · My Terrible Ways · Fitzgerald · Sad Old World · +22 more
Atlantis · Selkie Bride · Lone Child · Another Velvet Nightmare · Dark End of the Street · Sunday Sunny Mill Valley Groove Day · Atom in My Heart · Sing for Joy · Honeycomb · Go Find Your Saint · Violet · I Burn Today · Strange Goodbye · My Life Is in Storage
(I Want to Live on an) Abstract Plain · Speedy Marie · Whatever Happened to Pong? · Freedom Rock · The Vanishing Spies · Sir Rockaby · Two Reelers · Big Red · Fiddle Riddle · White Noise Maker · Olé Mulholland · Space Is Gonna Do Me Good · Fazer Eyes · The Hostess With the Mostest · Bad, Wicked World · Pie in the Sky
Assumed 300–2,000 paid tickets per show (from how much your music is listened to) at a typical local price (e.g. €15–40), × each society's published concert tariff, × the share of the set that is your own songs, × your share of the writing (81%).
Put your real ticket numbers on the shows page for a precise figure. Countries without a published tariff (e.g. the US) aren't counted.
Duke of Earl · Sir Rockaby · Space Is Gonna Do Me Good · Calistan