Reading releases, one by one…
Finding the profile. The first time takes a while — after that it opens instantly.
Reading releases, one by one…
Finding the profile. The first time takes a while — after that it opens instantly.

Orchestra · US
| Year | releases |
|---|---|
| 1944 | 1 |
| 1945 | 0 |
| 1946 | 0 |
| 1947 | 0 |
| 1948 | 0 |
| 1949 | 0 |
| 1950 | 0 |
| 1951 | 0 |
| 1952 | 0 |
| 1953 | 0 |
| 1954 | 0 |
| 1955 | 0 |
| 1956 | 0 |
| 1957 | 0 |
| 1958 | 0 |
| 1959 | 0 |
| 1960 | 0 |
| 1961 | 0 |
| 1962 | 0 |
| 1963 | 0 |
| 1964 | 0 |
| 1965 | 2 |
| 1966 | 0 |
| 1967 | 1 |
| 1968 | 0 |
| 1969 | 0 |
| 1970 | 0 |
| 1971 | 0 |
| 1972 | 1 |
| 1973 | 0 |
| 1974 | 0 |
| 1975 | 1 |
| 1976 | 2 |
| 1977 | 2 |
| 1978 | 3 |
| 1979 | 4 |
| 1980 | 3 |
| 1981 | 4 |
| 1982 | 2 |
| 1983 | 2 |
| 1984 | 1 |
| 1985 | 1 |
| 1986 | 1 |
| 1987 | 4 |
| 1988 | 2 |
| 1989 | 3 |
| 1990 | 2 |
| 1991 | 0 |
| 1992 | 6 |
| 1993 | 4 |
| 1994 | 3 |
| 1995 | 3 |
| 1996 | 5 |
| 1997 | 2 |
| 1998 | 2 |
| 1999 | 3 |
| 2000 | 4 |
| 2001 | 3 |
| 2002 | 1 |
| 2003 | 1 |
| 2004 | 0 |
| 2005 | 1 |
| 2006 | 0 |
| 2007 | 1 |
| 2008 | 1 |
| 2009 | 0 |
| 2010 | 0 |
| 2011 | 1 |
| 2012 | 1 |
| 2013 | 0 |
| 2014 | 3 |
| 2015 | 1 |
| 2016 | 0 |
| 2017 | 0 |
| 2018 | 0 |
| 2019 | 2 |
| 2020 | 3 |
| 2021 | 1 |
| 2022 | 2 |
| 2023 | 2 |
| 2024 | 2 |
Potentially at risk · per year
Sizing what may be missing…
Reading releases, one by one…
Reading credits from public databases. The first time takes a while — after that it opens instantly.
Potentially at risk · per year
35 songs flagged. Every discrepancy, where it is and how to fix it, is below. Want every song checked at every society? Get the full report.
Plays are estimated from ListenBrainz listening data, scaled to all streaming services.
Publishing: estimated plays × writer-side rate × the chance the song is really unregistered.
Neighbouring rights: a radio and public-performance proxy for tracks where you perform or produce.
An indicative estimate, not a statement of money owed. Full method →
Publishing · the songs
Paid by authors' societies (SIAE, SACEM, PRS…) to writers and publishers. We read MusicBrainz automatically; society registers can't be read automatically, so yours is the final word.
Recording · the masters
Paid by performers' and producers' societies (NUOVOIMAIE, PPL, GVL…) for radio and public play.
Files you add are read in your browser; amounts never leave it.
Composition, writers, ISWC and ISRC are all in public data for these — the basics that let societies match plays to you.
We become the publisher (admin only, you keep your rights): we register every song, fix the splits and claim what is owed, back to the oldest period still open. No upfront fee — a commission on what comes back.
Fandango · 2023
No composition linked to this recording
Fandango · 2023
No composition linked to this recording
Fandango · 2023
No composition linked to this recording
Fandango · 2023
No composition linked to this recording
Fandango · 2023
No composition linked to this recording
Fandango · 2023
No composition linked to this recording
Fandango · 2023
No composition linked to this recording
Fandango · 2023
No composition linked to this recording
Fandango · 2023
No composition linked to this recording
Fandango · 2023
No composition linked to this recording
Fandango · 2023
No composition linked to this recording
Girls of the Golden West · 2024
Recording has no ISRC in public databases
Girls of the Golden West · 2024
Recording has no ISRC in public databases
Girls of the Golden West · 2024
Recording has no ISRC in public databases
Girls of the Golden West · 2024
Recording has no ISRC in public databases
Girls of the Golden West · 2024
Recording has no ISRC in public databases
Girls of the Golden West · 2024
Recording has no ISRC in public databases
Girls of the Golden West · 2024
Recording has no ISRC in public databases
Girls of the Golden West · 2024
Recording has no ISRC in public databases
Girls of the Golden West · 2024
Recording has no ISRC in public databases
Girls of the Golden West · 2024
Recording has no ISRC in public databases
Girls of the Golden West · 2024
Recording has no ISRC in public databases
Girls of the Golden West · 2024
Recording has no ISRC in public databases
Girls of the Golden West · 2024
Recording has no ISRC in public databases
Girls of the Golden West · 2024
Recording has no ISRC in public databases
Girls of the Golden West · 2024
Recording has no ISRC in public databases
Girls of the Golden West · 2024
Recording has no ISRC in public databases
Girls of the Golden West · 2024
Recording has no ISRC in public databases
Girls of the Golden West · 2024
Recording has no ISRC in public databases
Girls of the Golden West · 2024
Recording has no ISRC in public databases
Girls of the Golden West · 2024
Recording has no ISRC in public databases
1660 as performing orchestra · 20 as instrument · 3 as phonographic copyright · 1 as performer
Producers and session players are often missing from platform credits and from neighbouring-rights registrations.
Signals come from public databases and can be wrong or incomplete; a missing code here does not prove a song is unregistered.
Neighbouring rights in the US can also be checked directly on SoundExchange's ISRC search ↗.
For the parts we can't estimate from public data, your own files are exact: add your distributor report and society statements.
Two lines from the map above: the songwriting slice of your streams, and an estimate of neighbouring rights for the recordings you play on. The recording money your distributor pays for streams is not here — it is already in your distributor statements.
Calculated automatically from 262 listens on ListenBrainz, an open listening panel that is much stronger in the UK and US than in most other countries — so elsewhere it is often an underestimate.
Plays are scaled to all services, then multiplied by a per-play rate and by your share of the songwriting.
Each of these should earn on both sides: the song (authors' society) and the recording (performers' and producers' societies).
Playlists published by public broadcasters, loaded every night (back to 5 Oct 2025): Sveriges Radio P3 Din gata (Sweden), Double J (Australia), Sveriges Radio P1 (Sweden), Sveriges Radio P2 (Sweden), Sveriges Radio P3 (Sweden), BBC Radio 3 (United Kingdom), Sveriges Radio P4 Stockholm (Sweden), BBC Radio 1Xtra (United Kingdom), BBC Radio 1 (United Kingdom), BBC Radio 2 (United Kingdom), KEXP 90.3 FM Seattle (United States), triple j Unearthed (Australia), BBC Radio 6 Music (United Kingdom), ABC Jazz (Australia), ABC Classic (Australia), triple j (Australia).
Commercial radio, TV and most countries don't publish playlists, so a song missing here can still be played elsewhere. These plays are what authors' and performers' societies pay on — compare them with your statements.
Drop it in and the figures come from your real streams, country by country — it never leaves your browser.
Fandango: II. Plegaria (Chaconne) · Fandango: I. Folia Tropical · Fandango: III. Fandanguito · Estancia, op. 8: Scene 5, El Amanecer. Escena · Estancia, op. 8: Scene 1, El Amanecer. Introducción y escena · Estancia, op. 8: Scene 1, El Amanecer. Pequeña danza · Estancia, op. 8: Scene 2, La Mañana. Danza del trigo · Estancia, op. 8: Scene 2, La Mañana. Los peones de hacienda · Estancia, op. 8: Scene 2, La Mañana. Los puebleros · Estancia, op. 8: Scene 3, La Tarde. Triste tarde · Estancia, op. 8: Scene 3, La Tarde. La doma · Estancia, op. 8: Scene 3, La Tarde. Idilio crepuscular · Estancia, op. 8: Scene 4, La Noche. Nocturno · Estancia, op. 8: Scene 5, El Amanecer. Danza final (Malambo) · Estancia, op. 8: Scene 2, La Mañana. Los trabajadores agrícolas · Girls of the Golden West: Act I: Scene 2: My name is Joe · Girls of the Golden West: Act I: Scene 3: Josefa, you remember · Girls of the Golden West: Act II: Scene 3: What is this celebration to me? · Girls of the Golden West: Act I: Scene 1: Wagon Ride - Ned Peters was a hustler · Girls of the Golden West: Act I: Scene 2: Now he consoles himself · +15 more
OSA (Czechia) — Titles reported by music users that OSA could not match to a registered work · ref P004584740
Matched: same name (GARRETT DAVID)
How to claim: Email nositele.prav@osa.cz with the title and code, or ask your own society to claim it from OSA. Official list ↗
OSA (Czechia) — Titles reported by music users that OSA could not match to a registered work · ref P004584761
Matched: same name (GARRETT DAVID)
How to claim: Email nositele.prav@osa.cz with the title and code, or ask your own society to claim it from OSA. Official list ↗
OSA (Czechia) — Titles reported by music users that OSA could not match to a registered work · ref P004584743
Matched: same name (GARRETT DAVID)
How to claim: Email nositele.prav@osa.cz with the title and code, or ask your own society to claim it from OSA. Official list ↗
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2123866
Matched: same name (GARRETT DAVID) · SV24
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2040517
Matched: same name (GARRETT DAVID) · SV23
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2041384
Matched: same name (DAVID WEISS) · SV23
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2042797
Matched: same name (DAVID GARRETT) · SV23
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
OSA (Czechia) — Titles reported by music users that OSA could not match to a registered work · ref P004584776
Matched: same name (GARRETT DAVID)
How to claim: Email nositele.prav@osa.cz with the title and code, or ask your own society to claim it from OSA. Official list ↗
OSA (Czechia) — Titles reported by music users that OSA could not match to a registered work · ref P004584770
Matched: same name (GARRETT DAVID)
How to claim: Email nositele.prav@osa.cz with the title and code, or ask your own society to claim it from OSA. Official list ↗
GVL (Germany) — Performers whose GVL data is incomplete, so they cannot be paid · ref 4596
Matched: same name (David Weiss)
How to claim: Email kuenstlervertrag@gvl.de to complete your data. Official list ↗
Gramex (Finland) — Other uses in Finland (TV, streaming services, venues) that Gramex could not match · ref 2070981
Matched: same name (LOS ANGELES PHILHARMONIC)
How to claim: Register the recording with Gramex (or ask your neighbouring-rights society to) quoting the Gramex ID. Official list ↗
Gramex (Finland) — Other uses in Finland (TV, streaming services, venues) that Gramex could not match · ref 2070982
Matched: same name (LOS ANGELES PHILHARMONIC)
How to claim: Register the recording with Gramex (or ask your neighbouring-rights society to) quoting the Gramex ID. Official list ↗
Gramex (Finland) — Other uses in Finland (TV, streaming services, venues) that Gramex could not match · ref 2070983
Matched: same name (LOS ANGELES PHILHARMONIC)
How to claim: Register the recording with Gramex (or ask your neighbouring-rights society to) quoting the Gramex ID. Official list ↗
Gramex (Finland) — Other uses in Finland (TV, streaming services, venues) that Gramex could not match · ref 2070984
Matched: same name (LOS ANGELES PHILHARMONIC)
How to claim: Register the recording with Gramex (or ask your neighbouring-rights society to) quoting the Gramex ID. Official list ↗
Gramex (Finland) — Other uses in Finland (TV, streaming services, venues) that Gramex could not match · ref 2070985
Matched: same name (LOS ANGELES PHILHARMONIC)
How to claim: Register the recording with Gramex (or ask your neighbouring-rights society to) quoting the Gramex ID. Official list ↗
Gramex (Finland) — Other uses in Finland (TV, streaming services, venues) that Gramex could not match · ref 2070986
Matched: same name (LOS ANGELES PHILHARMONIC)
How to claim: Register the recording with Gramex (or ask your neighbouring-rights society to) quoting the Gramex ID. Official list ↗
OSA (Czechia) — Titles reported by music users that OSA could not match to a registered work · ref P002020933
Matched: same name (GARRETT DAVID)
How to claim: Email nositele.prav@osa.cz with the title and code, or ask your own society to claim it from OSA. Official list ↗
OSA (Czechia) — Titles reported by music users that OSA could not match to a registered work · ref P004429525
Matched: same name (WEISS DAVID)
How to claim: Email nositele.prav@osa.cz with the title and code, or ask your own society to claim it from OSA. Official list ↗
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2055399
Matched: same name (DAVID WEISS) · SV23
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2056633
Matched: same name (DAVID WEISS) · SV23
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
Gramex (Finland) — Other uses in Finland (TV, streaming services, venues) that Gramex could not match · ref 1750793
Matched: same name (LOS ANGELES PHILHARMONIC)
How to claim: Register the recording with Gramex (or ask your neighbouring-rights society to) quoting the Gramex ID. Official list ↗
Gramex (Finland) — Other uses in Finland (TV, streaming services, venues) that Gramex could not match · ref 1750794
Matched: same name (LOS ANGELES PHILHARMONIC)
How to claim: Register the recording with Gramex (or ask your neighbouring-rights society to) quoting the Gramex ID. Official list ↗
Gramex (Finland) — Other uses in Finland (TV, streaming services, venues) that Gramex could not match · ref 1750795
Matched: same name (LOS ANGELES PHILHARMONIC)
How to claim: Register the recording with Gramex (or ask your neighbouring-rights society to) quoting the Gramex ID. Official list ↗
STIM (Sweden) — Works STIM collected money for but that nobody registered · ref 36452718
Matched: same name (DAVID WEISS)
How to claim: Register the work with your own society (or STIM if you are a member) and tell STIM it appears on this list. Official list ↗
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2216422
Matched: same name (DAVID GARRETT) · SV25
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2216424
Matched: same name (DAVID GARRETT) · SV25
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
Gramex (Finland) — Radio plays in Finland that Gramex could not match to a registered recording · ref 2186383
Matched: same name (LOS ANGELES PHILHARMONIC)
How to claim: Register the recording with Gramex (or ask your neighbouring-rights society to) quoting the Gramex ID. Official list ↗
Gramex (Finland) — Radio plays in Finland that Gramex could not match to a registered recording · ref 2014927
Matched: same name (GARRETT DAVID)
How to claim: Register the recording with Gramex (or ask your neighbouring-rights society to) quoting the Gramex ID. Official list ↗
OSA (Czechia) — Titles reported by music users that OSA could not match to a registered work · ref P004584744
Matched: same name (GARRETT DAVID)
How to claim: Email nositele.prav@osa.cz with the title and code, or ask your own society to claim it from OSA. Official list ↗
STIM (Sweden) — Works STIM collected money for but that nobody registered · ref 36128165
Matched: same name (DAVID WEISS)
How to claim: Register the work with your own society (or STIM if you are a member) and tell STIM it appears on this list. Official list ↗
SAYCO (CO) — Works SAYCO collected for in Colombia but could not identify (latest quarterly lists) · ref 16081938
Matched: same name (GARRETT DAVID) · primer trimestre 2026
How to claim: Follow SAYCO's identification procedure on the page above, or ask your own society to claim the work from SAYCO. Official list ↗
STIM (Sweden) — Works STIM collected money for but that nobody registered · ref 22283195
Matched: same name (DAVID GARRETT)
How to claim: Register the work with your own society (or STIM if you are a member) and tell STIM it appears on this list. Official list ↗
STIM (Sweden) — Works STIM collected money for but that nobody registered · ref 35053845
Matched: same name (DAVID WEISS)
How to claim: Register the work with your own society (or STIM if you are a member) and tell STIM it appears on this list. Official list ↗
OSA (Czechia) — Titles reported by music users that OSA could not match to a registered work · ref P004584767
Matched: same name (GARRETT DAVID)
How to claim: Email nositele.prav@osa.cz with the title and code, or ask your own society to claim it from OSA. Official list ↗
OSA (Czechia) — Titles reported by music users that OSA could not match to a registered work · ref P004584765
Matched: same name (GARRETT DAVID)
How to claim: Email nositele.prav@osa.cz with the title and code, or ask your own society to claim it from OSA. Official list ↗
STIM (Sweden) — Works STIM collected money for but that nobody registered · ref 22570585
Matched: same name (DAVID GARRETT)
How to claim: Register the work with your own society (or STIM if you are a member) and tell STIM it appears on this list. Official list ↗
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2234348
Matched: same name (DAVID GARRETT) · SV25
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
STIM (Sweden) — Works STIM collected money for but that nobody registered · ref 39242348
Matched: same name (DAVID WEISS)
How to claim: Register the work with your own society (or STIM if you are a member) and tell STIM it appears on this list. Official list ↗
OSA (Czechia) — Titles reported by music users that OSA could not match to a registered work · ref P004584742
Matched: same name (GARRETT DAVID)
How to claim: Email nositele.prav@osa.cz with the title and code, or ask your own society to claim it from OSA. Official list ↗
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2239990
Matched: same name (LOS ANGELES PHILHARMONIC ORCHESTRA) · SV25
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2164180
Matched: same name (LOS ANGELES PHILHARMONIC ORCHESTRA) · SV24
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2240360
Matched: same name (ANITA PRIEST) · SV25
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
Gramex (Finland) — Radio plays in Finland that Gramex could not match to a registered recording · ref 2045676
Matched: same name (LOS ANGELES PHILHARMONIC)
How to claim: Register the recording with Gramex (or ask your neighbouring-rights society to) quoting the Gramex ID. Official list ↗
Gramex (Finland) — Radio plays in Finland that Gramex could not match to a registered recording · ref 2050487
Matched: same name (LOS ANGELES PHILHARMONIC) · Deutsche Grammophon (DG)
How to claim: Register the recording with Gramex (or ask your neighbouring-rights society to) quoting the Gramex ID. Official list ↗
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2241736
Matched: same name (GARRETT DAVID) · SV25
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
SAYCO (CO) — Works SAYCO collected for in Colombia but could not identify (latest quarterly lists) · ref 16083524
Matched: same name (LA Phil) · primer trimestre 2026
How to claim: Follow SAYCO's identification procedure on the page above, or ask your own society to claim the work from SAYCO. Official list ↗
OSA (Czechia) — Titles reported by music users that OSA could not match to a registered work · ref P004584758
Matched: same name (GARRETT DAVID)
How to claim: Email nositele.prav@osa.cz with the title and code, or ask your own society to claim it from OSA. Official list ↗
STIM (Sweden) — Works STIM collected money for but that nobody registered · ref 30954394
Matched: same name (DAVID WEISS)
How to claim: Register the work with your own society (or STIM if you are a member) and tell STIM it appears on this list. Official list ↗
Fandango: II. Plegaria (Chaconne) · Fandango: I. Folia Tropical · Fandango: III. Fandanguito · Estancia, op. 8: Scene 5, El Amanecer. Escena · Estancia, op. 8: Scene 1, El Amanecer. Introducción y escena · Estancia, op. 8: Scene 1, El Amanecer. Pequeña danza · Estancia, op. 8: Scene 2, La Mañana. Danza del trigo · Estancia, op. 8: Scene 2, La Mañana. Los peones de hacienda · Estancia, op. 8: Scene 2, La Mañana. Los puebleros · Estancia, op. 8: Scene 3, La Tarde. Triste tarde · Estancia, op. 8: Scene 3, La Tarde. La doma · Estancia, op. 8: Scene 3, La Tarde. Idilio crepuscular · Estancia, op. 8: Scene 4, La Noche. Nocturno · Estancia, op. 8: Scene 5, El Amanecer. Danza final (Malambo) · Estancia, op. 8: Scene 2, La Mañana. Los trabajadores agrícolas
Fandango: II. Plegaria (Chaconne) · Fandango: I. Folia Tropical · Fandango: III. Fandanguito · Estancia, op. 8: Scene 5, El Amanecer. Escena · Estancia, op. 8: Scene 1, El Amanecer. Introducción y escena · Estancia, op. 8: Scene 1, El Amanecer. Pequeña danza · Estancia, op. 8: Scene 2, La Mañana. Danza del trigo · Estancia, op. 8: Scene 2, La Mañana. Los peones de hacienda · Estancia, op. 8: Scene 2, La Mañana. Los puebleros · Estancia, op. 8: Scene 3, La Tarde. Triste tarde · Estancia, op. 8: Scene 3, La Tarde. La doma · Estancia, op. 8: Scene 3, La Tarde. Idilio crepuscular · Estancia, op. 8: Scene 4, La Noche. Nocturno · Estancia, op. 8: Scene 5, El Amanecer. Danza final (Malambo) · Estancia, op. 8: Scene 2, La Mañana. Los trabajadores agrícolas
Fandango: II. Plegaria (Chaconne) · Fandango: I. Folia Tropical · Fandango: III. Fandanguito · Estancia, op. 8: Scene 5, El Amanecer. Escena · Estancia, op. 8: Scene 1, El Amanecer. Introducción y escena · Estancia, op. 8: Scene 1, El Amanecer. Pequeña danza · Estancia, op. 8: Scene 2, La Mañana. Danza del trigo · Estancia, op. 8: Scene 2, La Mañana. Los peones de hacienda · Estancia, op. 8: Scene 2, La Mañana. Los puebleros · Estancia, op. 8: Scene 3, La Tarde. Triste tarde · Estancia, op. 8: Scene 3, La Tarde. La doma · Estancia, op. 8: Scene 3, La Tarde. Idilio crepuscular · Estancia, op. 8: Scene 4, La Noche. Nocturno · Estancia, op. 8: Scene 5, El Amanecer. Danza final (Malambo) · Estancia, op. 8: Scene 2, La Mañana. Los trabajadores agrícolas
Fandango: II. Plegaria (Chaconne) · Fandango: I. Folia Tropical · Fandango: III. Fandanguito · Estancia, op. 8: Scene 5, El Amanecer. Escena · Estancia, op. 8: Scene 1, El Amanecer. Introducción y escena · Estancia, op. 8: Scene 1, El Amanecer. Pequeña danza · Estancia, op. 8: Scene 2, La Mañana. Danza del trigo · Estancia, op. 8: Scene 2, La Mañana. Los peones de hacienda · Estancia, op. 8: Scene 2, La Mañana. Los puebleros · Estancia, op. 8: Scene 3, La Tarde. Triste tarde · Estancia, op. 8: Scene 3, La Tarde. La doma · Estancia, op. 8: Scene 3, La Tarde. Idilio crepuscular · Estancia, op. 8: Scene 4, La Noche. Nocturno · Estancia, op. 8: Scene 5, El Amanecer. Danza final (Malambo) · Estancia, op. 8: Scene 2, La Mañana. Los trabajadores agrícolas
Assumed 100–500 paid tickets per show (from how much your music is listened to) at a typical local price (e.g. €15–40), × each society's published concert tariff, × the share of the set that is your own songs, × your share of the writing (50%, assumed).
Put your real ticket numbers on the shows page for a precise figure. Countries without a published tariff (e.g. the US) aren't counted.