Reading releases, one by one…
Finding the profile. The first time takes a while — after that it opens instantly.
Reading releases, one by one…
Finding the profile. The first time takes a while — after that it opens instantly.

Person · US
| Year | releases |
|---|---|
| 2026 | 5 |
Potentially at risk · per year
Sizing what may be missing…
Reading releases, one by one…
Reading credits from public databases. The first time takes a while — after that it opens instantly.
Potentially at risk · per year
52 songs flagged. Every discrepancy, where it is and how to fix it, is below. Want every song checked at every society? Get the full report.
Plays are estimated from ListenBrainz listening data, scaled to all streaming services.
Publishing: estimated plays × writer-side rate × the chance the song is really unregistered.
Neighbouring rights: a radio and public-performance proxy for tracks where you perform or produce.
An indicative estimate, not a statement of money owed. Full method →
Publishing · the songs
Paid by authors' societies (SIAE, SACEM, PRS…) to writers and publishers. We read MusicBrainz automatically; society registers can't be read automatically, so yours is the final word.
Recording · the masters
Paid by performers' and producers' societies (NUOVOIMAIE, PPL, GVL…) for radio and public play.
49 as instrument · 26 as vocal · 17 as video appearance · 14 as remixer
All 112 credits checked.
| Year | credits |
|---|---|
| 1982 | 1 |
| 1983 | 0 |
| 1984 | 0 |
| 1985 | 0 |
| 1986 | 0 |
| 1987 | 0 |
| 1988 | 0 |
| 1989 | 0 |
| 1990 | 0 |
| 1991 | 0 |
| 1992 | 20 |
| 1993 | 0 |
| 1994 | 26 |
| 1995 | 6 |
| 1996 | 1 |
| 1997 | 2 |
| 1998 | 2 |
| 1999 | 3 |
| 2000 | 18 |
| 2001 | 0 |
| 2002 | 0 |
| 2003 | 0 |
| 2004 | 0 |
| 2005 | 0 |
| 2006 | 23 |
| 2007 | 0 |
| 2008 | 0 |
| 2009 | 0 |
| 2010 | 1 |
| 2011 | 0 |
| 2012 | 0 |
| 2013 | 1 |
| 2014 | 1 |
| 2015 | 0 |
| 2016 | 1 |
| 2017 | 0 |
| 2018 | 0 |
| 2019 | 0 |
| 2020 | 2 |
| 2021 | 0 |
| 2022 | 1 |
| 2023 | 0 |
| 2024 | 0 |
| 2025 | 3 |
Files you add are read in your browser; amounts never leave it.
Composition, writers, ISWC and ISRC are all in public data for these — the basics that let societies match plays to you.
We become the publisher (admin only, you keep your rights): we register every song, fix the splits and claim what is owed, back to the oldest period still open. No upfront fee — a commission on what comes back.
Megan Thee Stallion · Traumazine · 2022
No composition linked to this recording
Public Enemy, Mike D, Ad Rock, Run DMC · What You Gonna Do When the Grid Goes Down? · 2020
No composition linked to this recording
Beastie Boys · Ill Communication · 1994
Composition has no ISWC in public databases
UNKLE, Mike D · Psyence Fiction · 1998
Composition has no ISWC in public databases
De La Soul, Mike D, Ad‐Rock · Art Official Intelligence: Mosaic Thump · 2000
Composition has no ISWC in public databases
Luscious Jackson · Good Will Hunting: Music From the Miramax Motion Picture · 1997
Recording has no ISRC in public databases
Portugal. The Man · Remix · 2014
Recording has no ISRC in public databases
Beastie Boys · Sabotage · 1994 · 2 recordings
Recording has no ISRC in public databases
Beastie Boys · Sabotage · 1994
Composition has no ISWC in public databases
Beastie Boys · Sabotage · 1994
Recording has no ISRC in public databases
Beastie Boys · Awesome; I... Shot That! · 2006
Recording has no ISRC in public databases
Beastie Boys · Awesome; I... Shot That! · 2006
Recording has no ISRC in public databases
Beastie Boys · Awesome; I... Shot That! · 2006
Recording has no ISRC in public databases
Beastie Boys · Awesome; I... Shot That! · 2006
Recording has no ISRC in public databases
Beastie Boys · Awesome; I... Shot That! · 2006
Recording has no ISRC in public databases
Beastie Boys · Awesome; I... Shot That! · 2006
Recording has no ISRC in public databases
Beastie Boys · Awesome; I... Shot That! · 2006
Recording has no ISRC in public databases
Beastie Boys · Awesome; I... Shot That! · 2006
Recording has no ISRC in public databases
Beastie Boys · Awesome; I... Shot That! · 2006
Recording has no ISRC in public databases
Beastie Boys · Awesome; I... Shot That! · 2006
Recording has no ISRC in public databases
Beastie Boys · Awesome; I... Shot That! · 2006
Recording has no ISRC in public databases
Beastie Boys · Beastie Boys DVD Video Anthology · 2000
Composition has no ISWC in public databases
Beastie Boys · Awesome; I... Shot That! · 2006
Recording has no ISRC in public databases
Beastie Boys · Awesome; I... Shot That! · 2006
Recording has no ISRC in public databases
Beastie Boys · Awesome; I... Shot That! · 2006
Recording has no ISRC in public databases
Beastie Boys · Awesome; I... Shot That! · 2006
Recording has no ISRC in public databases
Beastie Boys · Awesome; I... Shot That! · 2006
Recording has no ISRC in public databases
Beastie Boys · Awesome; I... Shot That! · 2006
Recording has no ISRC in public databases
49 as instrument · 26 as vocal · 17 as video appearance · 14 as remixer · 4 as producer · 2 as performer · 1 as editor · 1 as mix · 1 as programming
Producers and session players are often missing from platform credits and from neighbouring-rights registrations.
Signals come from public databases and can be wrong or incomplete; a missing code here does not prove a song is unregistered.
Neighbouring rights in the US can also be checked directly on SoundExchange's ISRC search ↗.
For the parts we can't estimate from public data, your own files are exact: add your distributor report and society statements.
Two lines from the map above: the songwriting slice of your streams, and an estimate of neighbouring rights for the recordings you play on. The recording money your distributor pays for streams is not here — it is already in your distributor statements.
Calculated automatically from 6,817,617 listens on ListenBrainz, an open listening panel that is much stronger in the UK and US than in most other countries — so elsewhere it is often an underestimate.
Plays are scaled to all services, then multiplied by a per-play rate and by your share of the songwriting.
Each of these should earn on both sides: the song (authors' society) and the recording (performers' and producers' societies).
Playlists published by public broadcasters, loaded every night (back to 5 Oct 2025): Sveriges Radio P3 Din gata (Sweden), Double J (Australia), Sveriges Radio P1 (Sweden), Sveriges Radio P2 (Sweden), Sveriges Radio P3 (Sweden), BBC Radio 3 (United Kingdom), Sveriges Radio P4 Stockholm (Sweden), BBC Radio 1Xtra (United Kingdom), BBC Radio 1 (United Kingdom), BBC Radio 2 (United Kingdom), KEXP 90.3 FM Seattle (United States), triple j Unearthed (Australia), BBC Radio 6 Music (United Kingdom), ABC Jazz (Australia), ABC Classic (Australia), triple j (Australia).
Commercial radio, TV and most countries don't publish playlists, so a song missing here can still be played elsewhere. These plays are what authors' and performers' societies pay on — compare them with your statements.
Drop it in and the figures come from your real streams, country by country — it never leaves your browser.
E‐Ticket Ride · Switch Up · What We Got · Southside Royalty Freestyle · True Colors · Public Enemy Number Won · Crypto · Make It Stop · That’s Right · Secrets Pt. I · I Don’t Care · Here We Are · Secrets Pt. II · Back to Start · It’s Time · Thank You · The Hurricane Freestyle · Tough Guy · Eugene’s Lament · Pow · +31 more
E‐Ticket Ride · Switch Up · What We Got · Southside Royalty Freestyle · True Colors · Public Enemy Number Won · Crypto · Make It Stop · That’s Right · Secrets Pt. I · I Don’t Care · Here We Are · Secrets Pt. II · Back to Start · It’s Time · Thank You · Tough Guy · Eugene’s Lament · Pow · In 3’s · +5 more
How to claim: Register the work with your own society (or STIM if you are a member) and tell STIM it appears on this list. Official list ↗
STIM (Sweden) — Works STIM collected money for but that nobody registered · ref 35411246
Matched: same name (MIKE DIAMOND)
How to claim: Register the work with your own society (or STIM if you are a member) and tell STIM it appears on this list. Official list ↗
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2097161
Matched: same name (M DIAMOND) · SV23
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
Switch Up · What We Got · Southside Royalty Freestyle · True Colors · Public Enemy Number Won · Crypto · Make It Stop · That’s Right · Secrets Pt. I · I Don’t Care · Here We Are · Secrets Pt. II · Back to Start · It’s Time · Thank You · Tough Guy · Eugene’s Lament · Pow · In 3’s · Heart Attack Man · +4 more
Switch Up · What We Got · Southside Royalty Freestyle · True Colors · Public Enemy Number Won · Crypto · Make It Stop · That’s Right · Secrets Pt. I · I Don’t Care · Here We Are · Secrets Pt. II · Back to Start · It’s Time · Thank You · Tough Guy · Eugene’s Lament · Pow · In 3’s · Heart Attack Man · +3 more
Switch Up · What We Got · Southside Royalty Freestyle · True Colors · Public Enemy Number Won · Crypto · Make It Stop · That’s Right · Secrets Pt. I · I Don’t Care · Here We Are · Secrets Pt. II · Back to Start · It’s Time · Thank You · Tough Guy · Eugene’s Lament · Pow · In 3’s · Heart Attack Man · +3 more
Tough Guy · Eugene’s Lament · Pow · In 3’s · Heart Attack Man · The Knock (Drums of Death, Part 2) · The Knock-On Effect
Tough Guy · Eugene’s Lament · Pow · In 3’s · Heart Attack Man · The Knock (Drums of Death, Part 2) · Squat!
Southside Royalty Freestyle · Tough Guy · Eugene’s Lament · Pow · In 3’s · Heart Attack Man · The Knock (Drums of Death, Part 2) · Why Do I Lie? (Remix)
Tough Guy · Eugene’s Lament · Pow · In 3’s · Heart Attack Man · The Knock (Drums of Death, Part 2)
Tough Guy · Eugene’s Lament · Pow · In 3’s · Heart Attack Man
Tough Guy · Eugene’s Lament · Pow · In 3’s · Heart Attack Man · The Knock (Drums of Death, Part 2) · Squat!
Tough Guy · Eugene’s Lament · Pow · In 3’s · Heart Attack Man · The Knock (Drums of Death, Part 2) · Squat!
Tough Guy · Eugene’s Lament · Pow · In 3’s · Heart Attack Man · The Knock (Drums of Death, Part 2) · Squat!
Pow · In 3’s
Assumed 1,000–8,000 paid tickets per show (from how much your music is listened to) at a typical local price (e.g. €15–40), × each society's published concert tariff, × the share of the set that is your own songs, × your share of the writing (24%).
By currency: CA$98 – CA$1,885 · €484 – €12,377 · £407 – £7,589. Added up in euros at the European Central Bank reference rates of 2026-10-09.
Put your real ticket numbers on the shows page for a precise figure. Countries without a published tariff (e.g. the US) aren't counted.