Paid by authors' societies (SIAE, SACEM, PRS…) to writers and publishers. We read open music databases; your society's own register is the final word.
Recording · the masters
Neighbouring rights
Songs performed or producedno performer or producer credit found0
ISRC codes—to check
Release territorieswhere performers' societies may owe you1
Unidentified-plays listsperformers' and producers' societiesnone found
Paid by performers' and producers' societies (NUOVOIMAIE, PPL, GVL…) for radio and public play.
What's done right
0 of 40 songs are fully documented
Composition, writers, ISWC and ISRC are all in public data for these — the basics that let societies match plays to you.
None yet — every song we read has at least one thing to check below.
Want us to retrieve it?
We become the publisher (admin only, you keep your rights): we register every song, fix the splits and claim what is owed, back to the oldest period still open. No upfront fee — a commission on what comes back.
Ask your society for the ISWC of the work. No ISWC often means an incomplete registration.
Complete what is missing (writers, splits, publisher) so the code can be assigned.
Share the ISWC with your distributor and publisher so platforms can match plays to the work.
Where your money comes from
Every song earns on two sides
The song (what you wrote) and the recording (what you recorded) are paid separately, by different organisations. Streams are only one source — radio, TV, live and public places matter as much or more for songwriters.
Publishing · the song
Songwriting money
Paid to writers and publishers by authors' societies (SIAE, SACEM, GEMA, PRS…), your publisher, and The MLC in the US.
Streaminga small slice of every stream (mechanical + performance)estimated below
Radio & TVoften the biggest item for songwriterspublic radio plays below
Live showsa share of ticket sales, if the setlist is reportedin the Live tab
Shops, bars, gyms, venuesbackground music licencesnot estimated yet
Syncads, films, series, games — by contractnot estimated yet
Downloads & CDsmechanical royalties on salesfrom your own files
Abroadcollected by local societies, passed back to yoursfrom your own files
Recording · the master
Recording money
Paid to the artist and label by the distributor, and by performers' and producers' societies (NUOVOIMAIE, PPL, GVL…).
Streaming & salesthe bulk of stream money — paid by your distributor, not a society
Unclaimed money lists
1 entry is very likely yours
Some societies publish the songs and recordings they collected money for but could not pay — and the artists they cannot reach — so rightsholders can come forward.We checked 933,311 entries from STIM (Sweden), OSA (Czechia), SOZA (SK), MESAM (Türkiye), GEMA (Germany), GVL (Germany), Gramex (Finland), SAYCO (CO).
Likely yours
1
same ISRC, your name with one of your titles, or with a real co-writer of yours
To check
8
same full name on a list from a country you're linked to — may be someone else
ETINCELLES OP. 36/6 (ISKRY)Very likely yours
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2132051
Matched: writer MOSZKOWSKI MORITZ with one of your titles · SV24
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
CONCERTO FOR PIANO AND ORCHESTRA IN E MAJOR OP 59Same name — check
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2045308
Matched: same name (MORITZ MOSZKOWSKI) · SV23
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
Two lines from the map above: the songwriting slice of your streams, and an estimate of neighbouring rights for the recordings you play on. The recording money your distributor pays for streams is not here — it is already in your distributor statements.
iHow this is calculated
Calculated automatically from 43 listens on ListenBrainz, an open listening panel that is much stronger in the UK and US than in most other countries — so elsewhere it is often an underestimate.
Plays are scaled to all services, then multiplied by a per-play rate and by your share of the songwriting.
Make it precise with your own numbers— optional, stays in your browser
Expected · public estimate · every 6 months€1 – €100
Songwriting · from streams
€1 – €100
Recording · neighbouring rights
—
On the radio
Moritz Moszkowski was not found on the public stations we track
iWhat we searched: 16 public stations
Playlists published by public broadcasters, loaded every night (back to 5 Oct 2025): triple j Unearthed (Australia), BBC Radio 2 (United Kingdom), ABC Jazz (Australia), ABC Classic (Australia), BBC Radio 3 (United Kingdom), triple j (Australia), Sveriges Radio P3 Din gata (Sweden), Double J (Australia), Sveriges Radio P1 (Sweden), Sveriges Radio P2 (Sweden), Sveriges Radio P3 (Sweden), BBC Radio 6 Music (United Kingdom), BBC Radio 1Xtra (United Kingdom), Sveriges Radio P4 Stockholm (Sweden), KEXP 90.3 FM Seattle (United States), BBC Radio 1 (United Kingdom).
Commercial radio, TV and most countries don't publish playlists, so a song missing here can still be played elsewhere. These plays are what authors' and performers' societies pay on — compare them with your statements.
Have your distributor report?
Drop it in and the figures come from your real streams, country by country — it never leaves your browser.
Albumblatt, op. 2 · Overture in D major · Prélude et Fugue pour Orchestre à Cordes, op. 85: Prélude · Prélude et Fugue pour Orchestre à Cordes, op. 85: Fugue · Scherzo, op. 1 · Caprice, op. 4 · Fantaisie (Hommage à Schumann), op. 5 · Fantaisie-Impromptu, op. 6 · Trois Moments musicaux, op. 7: No. 1. Allegramente · Trois Moments musicaux, op. 7: No. 2. Con moto · Trois Moments musicaux, op. 7: No. 3. Tranquillo e semplice · Skizzen, Vier kleine Stücke, op. 10: No. 1. Melodie · Skizzen, Vier kleine Stücke, op. 10: No. 2. Thema · Skizzen, Vier kleine Stücke, op. 10: No. 3. Mazurka in G major · Skizzen, Vier kleine Stücke, op. 10: No. 4. Impromptu über “Sachs” · Humoreske, op. 14 · Conservatoristen-Polka, op. ½ · Première Suite d’Orchestre, op. 39: I. Allegro molto e brioso · Première Suite d’Orchestre, op. 39: II. Allegro giojoso · Première Suite d’Orchestre, op. 39: III. Tema: Andante · +20 more
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2211318
Matched: same name (MORITZ MOSZKOWSKI) · SV25
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
GUITARRE FOR CELLO AND PIANOSame name — check
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2134249
Matched: same name (MORITZ MOSZKOWSKI) · SV24
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
ISKRICKY, OP. 36Same name — check
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2138168
Matched: same name (MOSZKOWSKI MORITZ) · SV24
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
SPANIELSKY TANEC, OP.12, C.2Same name — check
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2238119
Matched: same name (MORITZ MOSZKOWSKI) · SV25
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
TARANTELA D MOLSame name — check
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2105693
Matched: same name (MOSZKOWSKI M) · SV23
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
VALSE FOR PIANO IN E MAJOR, OP 34 NO 1Same name — check
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2169614
Matched: same name (MORITZ MOSZKOWSKI) · SV24
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
VALSE FOR PIANO IN E MAJOR, OP 34 NO 1Same name — check
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2112528
Matched: same name (MORITZ MOSZKOWSKI) · SV23
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
Live shows
What your concerts should pay you
Estimated · a typical show of yours in Germany€73 – €979for you per show, once the setlist is reported to GEMA
iHow this is estimated
Assumed 100–500 paid tickets per show (from how much your music is listened to) at a typical local price (e.g. €15–40), × each society's published concert tariff, × the share of the set that is your own songs, × your share of the writing (100%).
Put your real ticket numbers on the shows page for a precise figure. Countries without a published tariff (e.g. the US) aren't counted.
Albumblatt, op. 2 · Overture in D major · Prélude et Fugue pour Orchestre à Cordes, op. 85: Prélude · Prélude et Fugue pour Orchestre à Cordes, op. 85: Fugue · Scherzo, op. 1 · Caprice, op. 4 · Fantaisie (Hommage à Schumann), op. 5 · Fantaisie-Impromptu, op. 6 · Trois Moments musicaux, op. 7: No. 1. Allegramente · Trois Moments musicaux, op. 7: No. 2. Con moto · Trois Moments musicaux, op. 7: No. 3. Tranquillo e semplice · Skizzen, Vier kleine Stücke, op. 10: No. 1. Melodie · Skizzen, Vier kleine Stücke, op. 10: No. 2. Thema · Skizzen, Vier kleine Stücke, op. 10: No. 3. Mazurka in G major · Skizzen, Vier kleine Stücke, op. 10: No. 4. Impromptu über “Sachs” · Humoreske, op. 14 · Conservatoristen-Polka, op. ½ · Première Suite d’Orchestre, op. 39: I. Allegro molto e brioso · Première Suite d’Orchestre, op. 39: II. Allegro giojoso · Première Suite d’Orchestre, op. 39: III. Tema: Andante · +20 more
Albumblatt, op. 2 · Overture in D major · Prélude et Fugue pour Orchestre à Cordes, op. 85: Prélude · Prélude et Fugue pour Orchestre à Cordes, op. 85: Fugue · Scherzo, op. 1 · Caprice, op. 4 · Fantaisie (Hommage à Schumann), op. 5 · Fantaisie-Impromptu, op. 6 · Trois Moments musicaux, op. 7: No. 1. Allegramente · Trois Moments musicaux, op. 7: No. 2. Con moto · Trois Moments musicaux, op. 7: No. 3. Tranquillo e semplice · Skizzen, Vier kleine Stücke, op. 10: No. 1. Melodie · Skizzen, Vier kleine Stücke, op. 10: No. 2. Thema · Skizzen, Vier kleine Stücke, op. 10: No. 3. Mazurka in G major · Skizzen, Vier kleine Stücke, op. 10: No. 4. Impromptu über “Sachs” · Humoreske, op. 14 · Conservatoristen-Polka, op. ½ · Première Suite d’Orchestre, op. 39: I. Allegro molto e brioso · Première Suite d’Orchestre, op. 39: II. Allegro giojoso · Première Suite d’Orchestre, op. 39: III. Tema: Andante · +20 more
Albumblatt, op. 2 · Overture in D major · Prélude et Fugue pour Orchestre à Cordes, op. 85: Prélude · Prélude et Fugue pour Orchestre à Cordes, op. 85: Fugue · Scherzo, op. 1 · Caprice, op. 4 · Fantaisie (Hommage à Schumann), op. 5 · Fantaisie-Impromptu, op. 6 · Trois Moments musicaux, op. 7: No. 1. Allegramente · Trois Moments musicaux, op. 7: No. 2. Con moto · Trois Moments musicaux, op. 7: No. 3. Tranquillo e semplice · Skizzen, Vier kleine Stücke, op. 10: No. 1. Melodie · Skizzen, Vier kleine Stücke, op. 10: No. 2. Thema · Skizzen, Vier kleine Stücke, op. 10: No. 3. Mazurka in G major · Skizzen, Vier kleine Stücke, op. 10: No. 4. Impromptu über “Sachs” · Humoreske, op. 14 · Conservatoristen-Polka, op. ½ · Première Suite d’Orchestre, op. 39: I. Allegro molto e brioso · Première Suite d’Orchestre, op. 39: II. Allegro giojoso · Première Suite d’Orchestre, op. 39: III. Tema: Andante · +20 more
Albumblatt, op. 2 · Overture in D major · Prélude et Fugue pour Orchestre à Cordes, op. 85: Prélude · Prélude et Fugue pour Orchestre à Cordes, op. 85: Fugue · Scherzo, op. 1 · Caprice, op. 4 · Fantaisie (Hommage à Schumann), op. 5 · Fantaisie-Impromptu, op. 6 · Trois Moments musicaux, op. 7: No. 1. Allegramente · Trois Moments musicaux, op. 7: No. 2. Con moto · Trois Moments musicaux, op. 7: No. 3. Tranquillo e semplice · Skizzen, Vier kleine Stücke, op. 10: No. 1. Melodie · Skizzen, Vier kleine Stücke, op. 10: No. 2. Thema · Skizzen, Vier kleine Stücke, op. 10: No. 3. Mazurka in G major · Skizzen, Vier kleine Stücke, op. 10: No. 4. Impromptu über “Sachs” · Humoreske, op. 14 · Conservatoristen-Polka, op. ½ · Première Suite d’Orchestre, op. 39: I. Allegro molto e brioso · Première Suite d’Orchestre, op. 39: II. Allegro giojoso · Première Suite d’Orchestre, op. 39: III. Tema: Andante · +20 more
