We become the publisher (admin only, you keep your rights): we register every song, fix the splits and claim what is owed, back to the oldest period still open. No upfront fee — a commission on what comes back.
How to retrieve — register the recording for neighbouring rights
Get the ISRC of the recording from your distributor or label.
Join the neighbouring-rights society of each country where the track is played (performers and producers can join).
Declare the recording with its ISRC and your role (featured, session, producer).
Where your money comes from
Every song earns on two sides
The song (what you wrote) and the recording (what you recorded) are paid separately, by different organisations. Streams are only one source — radio, TV, live and public places matter as much or more for songwriters.
Publishing · the song
Songwriting money
Paid to writers and publishers by authors' societies (SIAE, SACEM, GEMA, PRS…), your publisher, and The MLC in the US.
Streaminga small slice of every stream (mechanical + performance)estimated below
Radio & TVoften the biggest item for songwriterspublic radio plays below
Live showsa share of ticket sales, if the setlist is reportedin the Live tab
Shops, bars, gyms, venuesbackground music licencesnot estimated yet
Syncads, films, series, games — by contractnot estimated yet
Downloads & CDsmechanical royalties on salesfrom your own files
Abroadcollected by local societies, passed back to yoursfrom your own files
Recording · the master
Recording money
Paid to the artist and label by the distributor, and by performers' and producers' societies (NUOVOIMAIE, PPL, GVL…).
Streaming & salesthe bulk of stream money — paid by your distributor, not a society
Unclaimed money lists
3 entries are very likely yours
Some societies publish the songs and recordings they collected money for but could not pay — and the artists they cannot reach — so rightsholders can come forward.We checked 933,311 entries from STIM (Sweden), OSA (Czechia), SOZA (SK), MESAM (Türkiye), GEMA (Germany), GVL (Germany), Gramex (Finland), SAYCO (CO).
Likely yours
3
same ISRC, your name with one of your titles, or with a real co-writer of yours
To check
23
same full name on a list from a country you're linked to — may be someone else
Artists they can't reach
1
a person with your full name is on a society's list — check it's you
O EWIGKEIT, DU DONNERWORT, BWV 60Likely yours
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2150977
Matched: GERD TURK together with your co-writer JOHANN SEBASTIAN BACH · SV24
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
ST JOHN PASSION PART 1Likely yours
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2238437
Matched: CAROLYN SAMPSON together with your co-writer JOHANN SEBASTIAN BACH · SV25
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
Two lines from the map above: the songwriting slice of your streams, and an estimate of neighbouring rights for the recordings you play on. The recording money your distributor pays for streams is not here — it is already in your distributor statements.
iHow this is calculated
Calculated automatically from 637 listens on ListenBrainz, an open listening panel that is much stronger in the UK and US than in most other countries — so elsewhere it is often an underestimate.
Plays are scaled to all services, then multiplied by a per-play rate and by your share of the songwriting.
Make it precise with your own numbers— optional, stays in your browser
Expected · public estimate · every 6 months€4 – €200
Songwriting · from streams
—
Recording · neighbouring rights
€4 – €200
On the radio
Bach Collegium Japan was not found on the public stations we track
iWhat we searched: 16 public stations
Playlists published by public broadcasters, loaded every night (back to 5 Oct 2025): Sveriges Radio P4 Stockholm (Sweden), BBC Radio 3 (United Kingdom), BBC Radio 1Xtra (United Kingdom), BBC Radio 1 (United Kingdom), BBC Radio 2 (United Kingdom), KEXP 90.3 FM Seattle (United States), Double J (Australia), BBC Radio 6 Music (United Kingdom), triple j Unearthed (Australia), ABC Jazz (Australia), ABC Classic (Australia), Sveriges Radio P3 Din gata (Sweden), Sveriges Radio P1 (Sweden), triple j (Australia), Sveriges Radio P2 (Sweden), Sveriges Radio P3 (Sweden).
Commercial radio, TV and most countries don't publish playlists, so a song missing here can still be played elsewhere. These plays are what authors' and performers' societies pay on — compare them with your statements.
Have your distributor report?
Drop it in and the figures come from your real streams, country by country — it never leaves your browser.
Harpsichord Concerto No. 1 in D Minor, BWV 1052: I. Allegro · Harpsichord Concerto No. 5 in F Minor, BWV 1056: II. Largo · Harpsichord Concerto No. 1 in D Minor, BWV 1052: III. Allegro · Harpsichord Concerto No. 1 in D Minor, BWV 1052: II. Adagio · Harpsichord Concerto No. 2 in E Major, BWV 1053: II. Siciliano · Harpsichord Concerto No. 5 in F Minor, BWV 1056: I. Allegro · Harpsichord Concerto No. 5 in F Minor, BWV 1056: III. Presto · Harpsichord Concerto No. 2 in E Major, BWV 1053: III. Allegro · Harpsichord Concerto No. 2 in E Major, BWV 1053: I. Allegro · Harpsichord Concerto No. 8 in D Minor, BWV 1059 (Reconstr.): I. Allegro · St. Matthew Passion, BWV 244: Part II: 54. Chorale: O Haupt voll Blut und Wunden · St. Matthew Passion, BWV 244: Part II: 62. Chorale: Wenn ich einmal soll scheiden · St. Matthew Passion, BWV 244: Part II: 68. Aria-Chorus: Wir setzen uns mit Tränen nieder · St. Matthew Passion, BWV 244: Part I: 3. Chorale: Herzliebster Jesu, was hast du verbrochen · St. Matthew Passion, BWV 244: Part I: 10. Chorale: Ich bin’s, ich sollte büßen · St. Matthew Passion, BWV 244: Part I: 15. Chorale: Erkenne mich, mein Hüter · St. Matthew Passion, BWV 244: Part I: 17. Chorale: Ich will hier bei dir stehen · St. Matthew Passion, BWV 244: Part I: 25. Chorale: Was mein Gott will, das g’scheh allzeit · St. Matthew Passion, BWV 244: Part I: 29. Chorale: O Mensch, bewein dein Sünde groß · St. Matthew Passion, BWV 244: Part II: 32. Chorale: Mir hat die Welt trüglich gericht’ · +60 more
United Kingdom
ST JOHN PASSION PART 2Likely yours
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2238438
Matched: CAROLYN SAMPSON together with your co-writer JOHANN SEBASTIAN BACH · SV25
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
2. ANDANTESame name — check
Gramex (Finland) — Radio plays in Finland that Gramex could not match to a registered recording · ref 2046962
Matched: same name (ALFREDO BERNARDINI)
How to claim: Register the recording with Gramex (or ask your neighbouring-rights society to) quoting the Gramex ID. Official list ↗
ADESTE FIDELESSame name — check
STIM (Sweden) — Works STIM collected money for but that nobody registered · ref 43527804
Matched: same name (MASATO SUZUKI)
How to claim: Register the work with your own society (or STIM if you are a member) and tell STIM it appears on this list. Official list ↗
ÄHRENFELD, DAS (K: VEHNÄPELTO) (EIN LEBEN WAR'S IM AHRENFELD -) DUETTO OP.77/2 KAHDELLE LAULUÄÄNELLE JA PIANOLLE KOKOELMASTA DREI ZWEISTIMSame name — check
Gramex (Finland) — Radio plays in Finland that Gramex could not match to a registered recording · ref 1780379
Matched: same name (SAMPSON CAROLYN)
How to claim: Register the recording with Gramex (or ask your neighbouring-rights society to) quoting the Gramex ID. Official list ↗
Rightsholder they cannot reachCheck it's you
GVL (Germany) — Performers whose GVL data is incomplete, so they cannot be paid · ref 279
Matched: same name (Alfredo Bernardini)
How to claim: Email kuenstlervertrag@gvl.de to complete your data. Official list ↗
CONCERTINO PER OBOE E FIATI IN DO MAGGIORE: ADAGIO - POLACCASame name — check
Gramex (Finland) — Radio plays in Finland that Gramex could not match to a registered recording · ref 2055101
Matched: same name (ALFREDO BERNARDINI)
How to claim: Register the recording with Gramex (or ask your neighbouring-rights society to) quoting the Gramex ID. Official list ↗
CONCERTO NO. 1 IN F MAJOR, BWV 1046Same name — check
Gramex (Finland) — Radio plays in Finland that Gramex could not match to a registered recording · ref 2043782
Matched: same name (BACH-COLLEGIUM JAPAN)
How to claim: Register the recording with Gramex (or ask your neighbouring-rights society to) quoting the Gramex ID. Official list ↗
CONCERTO NO. 2 IN F MAJOR, BWV 1047Same name — check
Gramex (Finland) — Radio plays in Finland that Gramex could not match to a registered recording · ref 2043783
Matched: same name (BACH-COLLEGIUM JAPAN)
How to claim: Register the recording with Gramex (or ask your neighbouring-rights society to) quoting the Gramex ID. Official list ↗
CONCERTO NO. 3 IN G MAJOR, BWV 1048Same name — check
Gramex (Finland) — Radio plays in Finland that Gramex could not match to a registered recording · ref 2043786
Matched: same name (BACH-COLLEGIUM JAPAN)
How to claim: Register the recording with Gramex (or ask your neighbouring-rights society to) quoting the Gramex ID. Official list ↗
CONCERTO NO. 4 IN G MAJOR, BWV 1049Same name — check
Gramex (Finland) — Radio plays in Finland that Gramex could not match to a registered recording · ref 2043788
Matched: same name (BACH-COLLEGIUM JAPAN)
How to claim: Register the recording with Gramex (or ask your neighbouring-rights society to) quoting the Gramex ID. Official list ↗
CONFITEBOR TIBI - PSALM 110/111Same name — check
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2207483
Matched: same name (GERD TURK) · SV25
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
DER GERECHTESame name — check
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2208362
Matched: same name (GERD TURK) · SV25
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
GLORIA FOR SATB, CORNETT, 2 VIOLINS, 2 VIOLAS AND BASS CONTISame name — check
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2133876
Matched: same name (GERD TURK) · SV24
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
GLORIA FOR SATB, CORNETT, 2 VIOLINS, 2 VIOLAS AND BASS CONTISame name — check
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2055563
Matched: same name (GERD TURK) · SV23
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
HOBOJOVY KONCERT B DUR/ADAGIOSame name — check
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2057973
Matched: same name (ALFREDO BERNARDINI) · SV23
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
HOBOJOVY KONCERT B DUR/ALLEGROSame name — check
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2057974
Matched: same name (ALFREDO BERNARDINI) · SV23
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
KONCERT PRE TRUBKU, 2 HOBOJE, SLACIKOVE NASTROJE A BASSO CONSame name — check
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2142226
Matched: same name (ALFREDO BERNARDINI) · SV24
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
KONCERT PRE TRUBKU, 2 HOBOJE, SLACIKOVE NASTROJE A BASSO CONSame name — check
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2142227
Matched: same name (ALFREDO BERNARDINI) · SV24
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
L ORFEO ATTO SECONDO II. MIRA CHA SE NALLETTASame name — check
MESAM (Türkiye) — Works used in Turkey (radio, Spotify, YouTube) that MESAM could not identify (last four quarterly distributions) · ref W-4661252.60
Matched: same name (GERD TURK) · 2026 MART DÖNEMİ DAĞITIMLARI · DIGITURK-YERLI YENIDEN ILETIM KANALLARI, D SMART-YERLI YENIDEN ILETIM KANALLARI, TÜRKSAT-YERLI YENIDEN ILETIM KANALLARI
How to claim: Ask your society to claim the work from MESAM, quoting the work number on the list. Official list ↗
MUSIC FOR THE ROYAL FIREWORKS(FIREWORKS MUSIC, ILOTULITUSMUSIIKKIA) SARJA HWV351, ORKESTERILLE JA CONTINUOLLE.01 1. OUVERTURE /8:4402 2. BSame name — check
Gramex (Finland) — Radio plays in Finland that Gramex could not match to a registered recording · ref 1541305
Matched: same name (BERNARDINI ALFREDO)
How to claim: Register the recording with Gramex (or ask your neighbouring-rights society to) quoting the Gramex ID. Official list ↗
OUVERTURA C. 6 G MOL/ALLEGROSame name — check
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2085704
Matched: same name (ALFREDO BERNARDINI) · SV23
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
OUVERTURA C. 6 G MOL/ALLEGROSame name — check
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2085705
Matched: same name (ALFREDO BERNARDINI) · SV23
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
OUVERTURA C. 6 G MOL/LARGOSame name — check
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2085706
Matched: same name (ALFREDO BERNARDINI) · SV23
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
SYMPHONY NO 8 IN E FLAT ( SYMPHONY OF A THOUSAND )Same name — check
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2240333
Matched: same name (CAROLYN SAMPSON) · SV25
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
YELLOW SERPENTSame name — check
SOZA (SK) — Works used in Slovakia that SOZA could not identify (the last three collection years, each claimable for 3 years) · ref 2247628
Matched: same name (YUKO ARAKI) · SV25
How to claim: Contact SOZA through the page above, or ask your own society to claim it, within 3 years of the collection year. Official list ↗
Live shows
What your concerts should pay you
Estimated · 1 of 1 shows found on setlist.fm since 2022€0 – €0for you, if every setlist was reported
iHow this is estimated
Assumed 100–500 paid tickets per show (from how much your music is listened to) at a typical local price (e.g. €15–40), × each society's published concert tariff, × the share of the set that is your own songs, × your share of the writing (50%, assumed).
Put your real ticket numbers on the shows page for a precise figure. Countries without a published tariff (e.g. the US) aren't counted.
Harpsichord Concerto No. 1 in D Minor, BWV 1052: I. Allegro · Harpsichord Concerto No. 5 in F Minor, BWV 1056: II. Largo · Harpsichord Concerto No. 1 in D Minor, BWV 1052: III. Allegro · Harpsichord Concerto No. 1 in D Minor, BWV 1052: II. Adagio · Harpsichord Concerto No. 2 in E Major, BWV 1053: II. Siciliano · Harpsichord Concerto No. 5 in F Minor, BWV 1056: I. Allegro · Harpsichord Concerto No. 5 in F Minor, BWV 1056: III. Presto · Harpsichord Concerto No. 2 in E Major, BWV 1053: III. Allegro · Harpsichord Concerto No. 2 in E Major, BWV 1053: I. Allegro · Harpsichord Concerto No. 8 in D Minor, BWV 1059 (Reconstr.): I. Allegro · St. Matthew Passion, BWV 244: Part II: 54. Chorale: O Haupt voll Blut und Wunden · St. Matthew Passion, BWV 244: Part II: 62. Chorale: Wenn ich einmal soll scheiden · St. Matthew Passion, BWV 244: Part II: 68. Aria-Chorus: Wir setzen uns mit Tränen nieder · St. Matthew Passion, BWV 244: Part I: 3. Chorale: Herzliebster Jesu, was hast du verbrochen · St. Matthew Passion, BWV 244: Part I: 10. Chorale: Ich bin’s, ich sollte büßen · St. Matthew Passion, BWV 244: Part I: 15. Chorale: Erkenne mich, mein Hüter · St. Matthew Passion, BWV 244: Part I: 17. Chorale: Ich will hier bei dir stehen · St. Matthew Passion, BWV 244: Part I: 25. Chorale: Was mein Gott will, das g’scheh allzeit · St. Matthew Passion, BWV 244: Part I: 29. Chorale: O Mensch, bewein dein Sünde groß · St. Matthew Passion, BWV 244: Part II: 32. Chorale: Mir hat die Welt trüglich gericht’ · +60 more
Harpsichord Concerto No. 1 in D Minor, BWV 1052: I. Allegro · Harpsichord Concerto No. 5 in F Minor, BWV 1056: II. Largo · Harpsichord Concerto No. 1 in D Minor, BWV 1052: III. Allegro · Harpsichord Concerto No. 1 in D Minor, BWV 1052: II. Adagio · Harpsichord Concerto No. 2 in E Major, BWV 1053: II. Siciliano · Harpsichord Concerto No. 5 in F Minor, BWV 1056: I. Allegro · Harpsichord Concerto No. 5 in F Minor, BWV 1056: III. Presto · Harpsichord Concerto No. 2 in E Major, BWV 1053: III. Allegro · Harpsichord Concerto No. 2 in E Major, BWV 1053: I. Allegro · Harpsichord Concerto No. 8 in D Minor, BWV 1059 (Reconstr.): I. Allegro · St. Matthew Passion, BWV 244: Part II: 54. Chorale: O Haupt voll Blut und Wunden · St. Matthew Passion, BWV 244: Part II: 62. Chorale: Wenn ich einmal soll scheiden · St. Matthew Passion, BWV 244: Part II: 68. Aria-Chorus: Wir setzen uns mit Tränen nieder · St. Matthew Passion, BWV 244: Part I: 3. Chorale: Herzliebster Jesu, was hast du verbrochen · St. Matthew Passion, BWV 244: Part I: 10. Chorale: Ich bin’s, ich sollte büßen · St. Matthew Passion, BWV 244: Part I: 15. Chorale: Erkenne mich, mein Hüter · St. Matthew Passion, BWV 244: Part I: 17. Chorale: Ich will hier bei dir stehen · St. Matthew Passion, BWV 244: Part I: 25. Chorale: Was mein Gott will, das g’scheh allzeit · St. Matthew Passion, BWV 244: Part I: 29. Chorale: O Mensch, bewein dein Sünde groß · St. Matthew Passion, BWV 244: Part II: 32. Chorale: Mir hat die Welt trüglich gericht’ · +60 more
Harpsichord Concerto No. 1 in D Minor, BWV 1052: I. Allegro · Harpsichord Concerto No. 5 in F Minor, BWV 1056: II. Largo · Harpsichord Concerto No. 1 in D Minor, BWV 1052: III. Allegro · Harpsichord Concerto No. 1 in D Minor, BWV 1052: II. Adagio · Harpsichord Concerto No. 2 in E Major, BWV 1053: II. Siciliano · Harpsichord Concerto No. 5 in F Minor, BWV 1056: I. Allegro · Harpsichord Concerto No. 5 in F Minor, BWV 1056: III. Presto · Harpsichord Concerto No. 2 in E Major, BWV 1053: III. Allegro · Harpsichord Concerto No. 2 in E Major, BWV 1053: I. Allegro · Harpsichord Concerto No. 8 in D Minor, BWV 1059 (Reconstr.): I. Allegro · St. Matthew Passion, BWV 244: Part II: 54. Chorale: O Haupt voll Blut und Wunden · St. Matthew Passion, BWV 244: Part II: 62. Chorale: Wenn ich einmal soll scheiden · St. Matthew Passion, BWV 244: Part II: 68. Aria-Chorus: Wir setzen uns mit Tränen nieder · St. Matthew Passion, BWV 244: Part I: 3. Chorale: Herzliebster Jesu, was hast du verbrochen · St. Matthew Passion, BWV 244: Part I: 10. Chorale: Ich bin’s, ich sollte büßen · St. Matthew Passion, BWV 244: Part I: 15. Chorale: Erkenne mich, mein Hüter · St. Matthew Passion, BWV 244: Part I: 17. Chorale: Ich will hier bei dir stehen · St. Matthew Passion, BWV 244: Part I: 25. Chorale: Was mein Gott will, das g’scheh allzeit · St. Matthew Passion, BWV 244: Part I: 29. Chorale: O Mensch, bewein dein Sünde groß · St. Matthew Passion, BWV 244: Part II: 32. Chorale: Mir hat die Welt trüglich gericht’ · +60 more
Harpsichord Concerto No. 1 in D Minor, BWV 1052: I. Allegro · Harpsichord Concerto No. 5 in F Minor, BWV 1056: II. Largo · Harpsichord Concerto No. 1 in D Minor, BWV 1052: III. Allegro · Harpsichord Concerto No. 1 in D Minor, BWV 1052: II. Adagio · Harpsichord Concerto No. 2 in E Major, BWV 1053: II. Siciliano · Harpsichord Concerto No. 5 in F Minor, BWV 1056: I. Allegro · Harpsichord Concerto No. 5 in F Minor, BWV 1056: III. Presto · Harpsichord Concerto No. 2 in E Major, BWV 1053: III. Allegro · Harpsichord Concerto No. 2 in E Major, BWV 1053: I. Allegro · Harpsichord Concerto No. 8 in D Minor, BWV 1059 (Reconstr.): I. Allegro · St. Matthew Passion, BWV 244: Part II: 54. Chorale: O Haupt voll Blut und Wunden · St. Matthew Passion, BWV 244: Part II: 62. Chorale: Wenn ich einmal soll scheiden · St. Matthew Passion, BWV 244: Part II: 68. Aria-Chorus: Wir setzen uns mit Tränen nieder · St. Matthew Passion, BWV 244: Part I: 3. Chorale: Herzliebster Jesu, was hast du verbrochen · St. Matthew Passion, BWV 244: Part I: 10. Chorale: Ich bin’s, ich sollte büßen · St. Matthew Passion, BWV 244: Part I: 15. Chorale: Erkenne mich, mein Hüter · St. Matthew Passion, BWV 244: Part I: 17. Chorale: Ich will hier bei dir stehen · St. Matthew Passion, BWV 244: Part I: 25. Chorale: Was mein Gott will, das g’scheh allzeit · St. Matthew Passion, BWV 244: Part I: 29. Chorale: O Mensch, bewein dein Sünde groß · St. Matthew Passion, BWV 244: Part II: 32. Chorale: Mir hat die Welt trüglich gericht’ · +60 more
