Reading releases, one by one…
Finding the profile. The first time takes a while — after that it opens instantly.
Reading releases, one by one…
Finding the profile. The first time takes a while — after that it opens instantly.
What your shows should pay, which setlists are still reportable, and where to send them.
The promoter pays the local society a share of ticket sales; it reaches the writers of the songs played — only if the setlist is reported.
Pre-filled from public credits — often too low; use your real splits.
1970-10-29 · Finsbury Park Astoria, London · 100% of the set is your own songs
estimated tickets and price — edit if you know themTariff LP: 4% of gross receipts (4.2% if booking fees are not declared).
PRS for Music does not publish its live deduction, so it is not subtracted.
Report the setlist: up to 12 months for small venues; longer for concerts — report as soon as possible. Where to report ↗
1968-02-03 · Salone delle Feste del Casinò, Sanremo · 100% of the set is your own songs
estimated tickets and price — edit if you know them10% of ticket income net of taxes (2026 tariff for pop, jazz and folk concerts).
SIAE does not publish its live deduction, so it is not subtracted.
Report the setlist: the organiser files the setlist (mioBorderò) within a week — check it lists your songs. Where to report ↗
1968-02-02 · Salone delle Feste del Casinò, Sanremo · 100% of the set is your own songs
estimated tickets and price — edit if you know them10% of ticket income net of taxes (2026 tariff for pop, jazz and folk concerts).
SIAE does not publish its live deduction, so it is not subtracted.
Report the setlist: the organiser files the setlist (mioBorderò) within a week — check it lists your songs. Where to report ↗
1967-07-26 · La Pinède Gould, Juan-les-Pins · 13% of the set is your own songs
estimated tickets and price — edit if you know them11% of ticket takings, 8.8% when declared in advance (2021–23 general tariff) (latest public tariff; may have changed).
SACEM does not publish its live deduction, so it is not subtracted.
Report the setlist: programme accepted up to 6 months after the show. Where to report ↗
1967-04-04 · Salle Wilfrid-Pelletier, Montreal · 20% of the set is your own songs
estimated tickets and price — edit if you know themTariff 4.A.1: 3% of gross ticket receipts excluding taxes.
After 13.4% deduction — SOCAN's expense ratio (2025).
Report the setlist: up to 1 year after the show. Where to report ↗
1967-04-03 · Salle Wilfrid-Pelletier, Montreal · 20% of the set is your own songs
estimated tickets and price — edit if you know themTariff 4.A.1: 3% of gross ticket receipts excluding taxes.
After 13.4% deduction — SOCAN's expense ratio (2025).
Report the setlist: up to 1 year after the show. Where to report ↗
1965-03-22 · Friedrichstadtpalast, Berlin · 57% of the set is your own songs
estimated tickets and price — edit if you know themTarif U-K: 5.75% up to 2,000 visitors, 7.60% up to 15,000, 8.00% above (net of VAT and booking fees).
After 14.9% deduction — GEMA's overall cost rate (2024).
Report the setlist: until 31 March of the following year. Where to report ↗
Your part includes your publisher's share if you have one.
United States: ASCAP's venue rate depends on capacity tiers and BMI has no concert rate in force since February 2026 — report here ↗
Netherlands: Buma's rate falls from 7% to 2.5% with takings and repertoire share — report here ↗
Belgium: SABAM's rate falls from 8% to 3% in cumulative brackets — report here ↗
Promoters pay a share of ticket sales to the local society, which pays the writers of the songs on the reported setlist. Each society only accepts setlists for a limited time.
Setlists from setlist.fm (fan-sourced, can be incomplete). Events from Ticketmaster. Add tickets and prices in the calculator above to see what each show should pay.